Landscape Painting and Modern Dutch ArtistsBaker & Taylor Company, 1906 - 229 páginas |
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Página v
E. B. Greenshields. ILLUSTRATIONS Nicolas Poussin Claude le Lorrain Velasquez Jacob van Ruysdael John Constable J. M. W. Turner J. B. C. Corot Anton Mauve PLATE XXVII . The Anxious Family XXVIII . Interior of. PLATE I. A Storm Coast of ...
E. B. Greenshields. ILLUSTRATIONS Nicolas Poussin Claude le Lorrain Velasquez Jacob van Ruysdael John Constable J. M. W. Turner J. B. C. Corot Anton Mauve PLATE XXVII . The Anxious Family XXVIII . Interior of. PLATE I. A Storm Coast of ...
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... Constable and Turner , by Daubigny and Rousseau , and each pic- ture would take on the spirit of the individual artist , and give the observer very different ideas of identical views . For if it is not the actual scene before him that ...
... Constable and Turner , by Daubigny and Rousseau , and each pic- ture would take on the spirit of the individual artist , and give the observer very different ideas of identical views . For if it is not the actual scene before him that ...
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... Constable was one 31775–1851 . of the creators and strong forces in the history of landscape . He was the first to give a real out - of - door , atmospheric appearance to his pictures , and he had a very vigorous and personal manner of ...
... Constable was one 31775–1851 . of the creators and strong forces in the history of landscape . He was the first to give a real out - of - door , atmospheric appearance to his pictures , and he had a very vigorous and personal manner of ...
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... Constable he sent for and com- pletely changed his painting , " The Massacre of Scio , " which was at the time being exhibited . And in 1847 he writes : " Constable dit que la superiorité du vert de ses prairies tient à ce qu'il est un ...
... Constable he sent for and com- pletely changed his painting , " The Massacre of Scio , " which was at the time being exhibited . And in 1847 he writes : " Constable dit que la superiorité du vert de ses prairies tient à ce qu'il est un ...
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... Constable he was rejected by the critics of his day . They said his work was unfinished and careless . But the opinion of the few who recognized the coming of a genius in each case prevailed , and public opinion has placed them both in ...
... Constable he was rejected by the critics of his day . They said his work was unfinished and careless . But the opinion of the few who recognized the coming of a genius in each case prevailed , and public opinion has placed them both in ...
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Términos y frases comunes
admiration Anton Mauve appear atmosphere Barbizon school beautiful Bosboom canvas cattle century CHAPTER charm churches Claude clouds colour composition Constable Corot Delacroix drawing dream Dutch artists effect Emerson emotion Essay Eugène Eugène Delacroix Eugène Fromentin expression figure genius give Hamerton heart Holland ideal ideas imagination imitation impression inspired J. F. Millet J. H. Weissenbruch J. M. W. Turner Jacob Van Ruysdael James Maris Johannes Bosboom Josef Israels knowledge land landscape art landscape painter light living look masters Matthew Maris ment mind modern Dutch Modern Painters moods mystery nature never Nicolas Poussin painting perfect PLATE poetical poetry poets produced realistic Rembrandt render Rubens Ruskin Ruysdael scene seems seen shows skies skill spirit sympathy technical things thou tion Titian trees true truth ture Turner W. E. Henley Whistler William Maris wonder