Landscape Painting and Modern Dutch Artists |
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Página xiii
... of the processes by which the artists produce their pictures , the drawing of
form , the skilful use of colour , the attainment of perfect tone , the composition of
graceful lines and well balanced masses , all the technical side of the subject .
... of the processes by which the artists produce their pictures , the drawing of
form , the skilful use of colour , the attainment of perfect tone , the composition of
graceful lines and well balanced masses , all the technical side of the subject .
Página 17
... or the “ Fountain of the Tritons ” ; or the beautiful background to “ Prince
Balthazar Carlos ” ( see Plate 9 ) with its tall tree extending up one side of the
picture and the leafy branches covering the space above the figure of the young
Prince .
... or the “ Fountain of the Tritons ” ; or the beautiful background to “ Prince
Balthazar Carlos ” ( see Plate 9 ) with its tall tree extending up one side of the
picture and the leafy branches covering the space above the figure of the young
Prince .
Página 38
... languid and rich , degenerating at last into leagues of grey Maremma , wild
with the thorn and the willow ; on each side of it , sustaining themselves in mighty
slopes and unbroken reaches of colossal promontory , the great mountains
secede ...
... languid and rich , degenerating at last into leagues of grey Maremma , wild
with the thorn and the willow ; on each side of it , sustaining themselves in mighty
slopes and unbroken reaches of colossal promontory , the great mountains
secede ...
Página 53
... some reason if they have no knowledge of art practically and so cannot discuss
that phase ) who is writing , but a thoroughly trained artist of well - known and
high reputation , who gives his views about the spiritual side of art , and
expresses ...
... some reason if they have no knowledge of art practically and so cannot discuss
that phase ) who is writing , but a thoroughly trained artist of well - known and
high reputation , who gives his views about the spiritual side of art , and
expresses ...
Página 59
He leaves out , does not see , the sides of the question that do not emphasize his
argument . He wishes to convey the idea he has , and everything « The tending
to give form to that idea he uses . beauty of nature reEverything not helpful to this
...
He leaves out , does not see , the sides of the question that do not emphasize his
argument . He wishes to convey the idea he has , and everything « The tending
to give form to that idea he uses . beauty of nature reEverything not helpful to this
...
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Términos y frases comunes
able admiration appear artist atmosphere beautiful become Bosboom canvas cattle century changed CHAPTER character charm churches clouds colour comes composition Constable critic detail drawing dream Dutch early effect expression fact feeling fields figure give given happy heart Holland human ideal ideas imagination imitation important impression individual inspired interest Israels Italy James Maris knowledge land landscape leaves light lines living look manner masters material Matthew Mauve means mind mystery nature never object observer original painter painting passed past perfect period PLATE poetry poets produced realistic reveal scene seems seen shows side skill spirit strong subjects suggestive technical tell things thought tion trees true truth ture Turner Weissenbruch whole William Maris wonder writes
Información bibliográfica
| Título | Landscape Painting and Modern Dutch Artists |
| Autores | E. B. Greenshields, John Ruskin, John Addington Symonds |
| Edición | 3 |
| Editor | Baker & Taylor Company, 1906 |
| Procedencia del original | Universidad de Michigan |
| Digitalizado | 20 Sep. 2010 |
| Largo | 229 páginas |
| Exportar cita | BiBTeX EndNote RefMan |