Landscape Painting and Modern Dutch Artists |
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Página xiii
... think , and they find out by experience that this something they feel is the
thought and individuality of the artist , impressed by him on the picture as he
painted it , and expressed by it and revealed in some inexplicable way to the
observer .
... think , and they find out by experience that this something they feel is the
thought and individuality of the artist , impressed by him on the picture as he
painted it , and expressed by it and revealed in some inexplicable way to the
observer .
Página xiv
It should convey a feeling of pleasure and content by its beautiful colour and form
and its fine technique , it should reveal the poetry and imagination of the artist ' s
vision , and it should communicate his thought and feeling to those in sympathy ...
It should convey a feeling of pleasure and content by its beautiful colour and form
and its fine technique , it should reveal the poetry and imagination of the artist ' s
vision , and it should communicate his thought and feeling to those in sympathy ...
Página xx
It is the means the artist has of revealing the feelings that possess him in the
presence of nature . This is its proper sphere , and in this only can it excel . It is
not , as it is often supposed to be , something as like the solid earth as possible .
It is the means the artist has of revealing the feelings that possess him in the
presence of nature . This is its proper sphere , and in this only can it excel . It is
not , as it is often supposed to be , something as like the solid earth as possible .
Página 23
... the delicate apple green of the tender leaves that deck the trees in early spring
, or the celadon colour of the sea , as the wave breaks into foam and reveals
underneath its white crest the glittering sheen of depths of pure 23 Revival of
Dutch.
... the delicate apple green of the tender leaves that deck the trees in early spring
, or the celadon colour of the sea , as the wave breaks into foam and reveals
underneath its white crest the glittering sheen of depths of pure 23 Revival of
Dutch.
Página 33
before , so in Holland , though the peasantry and their humble homes had been
the common subjects of artists for centuries , no one saw them as they are
painted by Israels until revealed by his genius . And the spacious interiors of
Bosboom ...
before , so in Holland , though the peasantry and their humble homes had been
the common subjects of artists for centuries , no one saw them as they are
painted by Israels until revealed by his genius . And the spacious interiors of
Bosboom ...
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Términos y frases comunes
able admiration appear artist atmosphere beautiful become Bosboom canvas cattle century changed CHAPTER character charm churches clouds colour comes composition Constable critic detail drawing dream Dutch early effect expression fact feeling fields figure give given happy heart Holland human ideal ideas imagination imitation important impression individual inspired interest Israels Italy James Maris knowledge land landscape leaves light lines living look manner masters material Matthew Mauve means mind mystery nature never object observer original painter painting passed past perfect period PLATE poetry poets produced realistic reveal scene seems seen shows side skill spirit strong subjects suggestive technical tell things thought tion trees true truth ture Turner Weissenbruch whole William Maris wonder writes
Información bibliográfica
| Título | Landscape Painting and Modern Dutch Artists |
| Autores | E. B. Greenshields, John Ruskin, John Addington Symonds |
| Edición | 3 |
| Editor | Baker & Taylor Company, 1906 |
| Procedencia del original | Universidad de Michigan |
| Digitalizado | 20 Sep. 2010 |
| Largo | 229 páginas |
| Exportar cita | BiBTeX EndNote RefMan |