Landscape Painting and Modern Dutch ArtistsBaker & Taylor Company, 1906 - 229 páginas |
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Página vii
... past , And love and hope remain . So let us just keep still , While time flies far away , And loiter on the hill , At will , Forever and a day . Playing at life and art , Wandering to and fro , Forgetting we must part , Dear Heart ...
... past , And love and hope remain . So let us just keep still , While time flies far away , And loiter on the hill , At will , Forever and a day . Playing at life and art , Wandering to and fro , Forgetting we must part , Dear Heart ...
Página 17
... very distinctive link in the chain of landscape artists that connects the present with the past . ( See Plate 10. ) 4 1605-1691 . 1625-1682 . 61638-1709 . He early became dissatisfied with painting nature for its own A BRIEF HISTORY 17.
... very distinctive link in the chain of landscape artists that connects the present with the past . ( See Plate 10. ) 4 1605-1691 . 1625-1682 . 61638-1709 . He early became dissatisfied with painting nature for its own A BRIEF HISTORY 17.
Página 29
... past art , but they were the precursors of the modern Dutch School . The first sign of a change is to be found , strangely enough , in the work of an artist who occupied himself nearly altogether with the interiors of churches and other ...
... past art , but they were the precursors of the modern Dutch School . The first sign of a change is to be found , strangely enough , in the work of an artist who occupied himself nearly altogether with the interiors of churches and other ...
Página 31
... past age . They are full of modern ideas and endeavour to solve the problems of their own day and generation . It is vain to hark back to the days of Raphael or earlier . If art has no new living message to give to its children , it is ...
... past age . They are full of modern ideas and endeavour to solve the problems of their own day and generation . It is vain to hark back to the days of Raphael or earlier . If art has no new living message to give to its children , it is ...
Página 32
E. B. Greenshields. away from the past traditions of art in their country , and , going direct to nature , strove , by careful study , to give a truthful view , each as he saw it , of her many changing moods . This individual way of ...
E. B. Greenshields. away from the past traditions of art in their country , and , going direct to nature , strove , by careful study , to give a truthful view , each as he saw it , of her many changing moods . This individual way of ...
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Términos y frases comunes
admiration Anton Mauve appear atmosphere Barbizon school beautiful Bosboom canvas cattle century CHAPTER charm churches Claude clouds colour composition Constable Corot Delacroix drawing dream Dutch artists effect Emerson emotion Essay Eugène Eugène Delacroix Eugène Fromentin expression figure genius give Hamerton heart Holland ideal ideas imagination imitation impression inspired J. F. Millet J. H. Weissenbruch J. M. W. Turner Jacob Van Ruysdael James Maris Johannes Bosboom Josef Israels knowledge land landscape art landscape painter light living look masters Matthew Maris ment mind modern Dutch Modern Painters moods mystery nature never Nicolas Poussin painting perfect PLATE poetical poetry poets produced realistic Rembrandt render Rubens Ruskin Ruysdael scene seems seen shows skies skill spirit sympathy technical things thou tion Titian trees true truth ture Turner W. E. Henley Whistler William Maris wonder