Landscape Painting and Modern Dutch Artists |
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Página 12
... that landscapes without any interest connected with human life in them were
proper subjects of study for their own innate beauty and loveliness . Three great
painters inaugurated the movement in art , Rubens 12 LANDSCAPE PAINTING.
... that landscapes without any interest connected with human life in them were
proper subjects of study for their own innate beauty and loveliness . Three great
painters inaugurated the movement in art , Rubens 12 LANDSCAPE PAINTING.
Página 13
Three great painters inaugurated the movement in art , Rubens , ' Nicolas
Poussin , and ' 1577 - 1640 . Claude . 2 1594 - 1665 . The earliest signs appear
in that 31600 - 1682 . varied master , Rubens , who amid his vast achievement in
...
Three great painters inaugurated the movement in art , Rubens , ' Nicolas
Poussin , and ' 1577 - 1640 . Claude . 2 1594 - 1665 . The earliest signs appear
in that 31600 - 1682 . varied master , Rubens , who amid his vast achievement in
...
Página 16
Anyone who could produce such a Painters . " Vol . I . revolution in the art of his
day as this means is entitled to far more than the grudging praise accorded by
Ruskin , and well deserves the great honour in which he has been universally
held ...
Anyone who could produce such a Painters . " Vol . I . revolution in the art of his
day as this means is entitled to far more than the grudging praise accorded by
Ruskin , and well deserves the great honour in which he has been universally
held ...
Página 21
Turner occupies a unique place in the history of art ( see Plate 12 ) , as the most
imaginative landscape painter the world has seen , and as one of its supreme
colourists . About the middle of the nineteenth century the impressionists
appeared ...
Turner occupies a unique place in the history of art ( see Plate 12 ) , as the most
imaginative landscape painter the world has seen , and as one of its supreme
colourists . About the middle of the nineteenth century the impressionists
appeared ...
Página 24
neath its white crest the glittering sheen of depths of pure green ; or again she
dwells with the great Spaniard ; or comes to live with the artists of Italy and
France ; or with Rembrandt and Ruysdael , or the painters of Germany and
England .
neath its white crest the glittering sheen of depths of pure green ; or again she
dwells with the great Spaniard ; or comes to live with the artists of Italy and
France ; or with Rembrandt and Ruysdael , or the painters of Germany and
England .
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able admiration appear artist atmosphere beautiful become Bosboom canvas cattle century changed CHAPTER character charm churches clouds colour comes composition Constable critic detail drawing dream Dutch early effect expression fact feeling fields figure give given happy heart Holland human ideal ideas imagination imitation important impression individual inspired interest Israels Italy James Maris knowledge land landscape leaves light lines living look manner masters material Matthew Mauve means mind mystery nature never object observer original painter painting passed past perfect period PLATE poetry poets produced realistic reveal scene seems seen shows side skill spirit strong subjects suggestive technical tell things thought tion trees true truth ture Turner Weissenbruch whole William Maris wonder writes