Landscape Painting and Modern Dutch ArtistsBaker & Taylor Company, 1906 - 229 páginas |
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Página 11
... Painters . " 1888 " From the window of Titian's house at Venice the chain of the Tyrolese Alps is seen lifted in spectral power above the tufted plain of Treviso ; every dawn that reddens the towers of Murano lights also a line of ...
... Painters . " 1888 " From the window of Titian's house at Venice the chain of the Tyrolese Alps is seen lifted in spectral power above the tufted plain of Treviso ; every dawn that reddens the towers of Murano lights also a line of ...
Página 12
... realize that landscapes without any interest connected with human life in them were proper subjects of study for their own innate beauty and love- liness . Three great painters inaugurated the move- 4 For a very 12 LANDSCAPE PAINTING.
... realize that landscapes without any interest connected with human life in them were proper subjects of study for their own innate beauty and love- liness . Three great painters inaugurated the move- 4 For a very 12 LANDSCAPE PAINTING.
Página 13
E. B. Greenshields. Three great painters inaugurated the move- 4 For a very full account of Rubens and his work see ... painters of France . He recorded nature very faithfully Michel . and accurately , with special attention to de- tail ...
E. B. Greenshields. Three great painters inaugurated the move- 4 For a very full account of Rubens and his work see ... painters of France . He recorded nature very faithfully Michel . and accurately , with special attention to de- tail ...
Página 16
... Painters . " Vol . I. Page 88 . 2 " Claude Gellée , " by Owen J. Dullea . It is interesting to note that these artists , while great lovers of nature , were all idealists , and so far from copying nature exactly , they had no hesitation ...
... Painters . " Vol . I. Page 88 . 2 " Claude Gellée , " by Owen J. Dullea . It is interesting to note that these artists , while great lovers of nature , were all idealists , and so far from copying nature exactly , they had no hesitation ...
Página 21
... painter before him . His lovely notes of early morn- ing and the quiet and rest of evening are a new personal and poetical revelation to the world . ( See Plate 13. ) Like Constable he was rejected by the critics of his day . They said ...
... painter before him . His lovely notes of early morn- ing and the quiet and rest of evening are a new personal and poetical revelation to the world . ( See Plate 13. ) Like Constable he was rejected by the critics of his day . They said ...
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admiration Anton Mauve appear atmosphere Barbizon school beautiful Bosboom canvas cattle century CHAPTER charm churches Claude clouds colour composition Constable Corot Delacroix drawing dream Dutch artists effect Emerson emotion Essay Eugène Eugène Delacroix Eugène Fromentin expression figure genius give Hamerton heart Holland ideal ideas imagination imitation impression inspired J. F. Millet J. H. Weissenbruch J. M. W. Turner Jacob Van Ruysdael James Maris Johannes Bosboom Josef Israels knowledge land landscape art landscape painter light living look masters Matthew Maris ment mind modern Dutch Modern Painters moods mystery nature never Nicolas Poussin painting perfect PLATE poetical poetry poets produced realistic Rembrandt render Rubens Ruskin Ruysdael scene seems seen shows skies skill spirit sympathy technical things thou tion Titian trees true truth ture Turner W. E. Henley Whistler William Maris wonder