Landscape Painting and Modern Dutch Artists |
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Página xix
A picture can never give this . “ Who can paint “ The Like nature ? Can
imagination boast , Seasons . Amid its gay creation , hues like hers ? Spring . " Or
can it mix them with that matchless skill , James Thomson . And lose them in each
other ...
A picture can never give this . “ Who can paint “ The Like nature ? Can
imagination boast , Seasons . Amid its gay creation , hues like hers ? Spring . " Or
can it mix them with that matchless skill , James Thomson . And lose them in each
other ...
Página 6
continued to excel , but never again , from the Vol . III . Chap . I . days of the early
Renaissance , has it been J . A . Syable to express the ideas that dominated the
monds . world at any time , as Giotto and his followers represented the religious ...
continued to excel , but never again , from the Vol . III . Chap . I . days of the early
Renaissance , has it been J . A . Syable to express the ideas that dominated the
monds . world at any time , as Giotto and his followers represented the religious ...
Página 7
Titiano and Tintoretto ? continue the work of 1477 - 1576 . Giorgione , and reach
the highest point , up ^ 7519 to their time , in depicting nature . Titian ' s early life
was passed in the Cadore country , and he never forgot the scenery amid which ...
Titiano and Tintoretto ? continue the work of 1477 - 1576 . Giorgione , and reach
the highest point , up ^ 7519 to their time , in depicting nature . Titian ' s early life
was passed in the Cadore country , and he never forgot the scenery amid which ...
Página 11
I . firmament and saddened twilight of Tintoret Page 77 . are sufficient for their
end , but the sun never edition . plunges behind San Giorgio in Aliga without
such retinue of radiant cloud , such rest of zoned light on the green lagoon , as
never ...
I . firmament and saddened twilight of Tintoret Page 77 . are sufficient for their
end , but the sun never edition . plunges behind San Giorgio in Aliga without
such retinue of radiant cloud , such rest of zoned light on the green lagoon , as
never ...
Página 18
Ruysdael is the first to hear the plaintive minor chord in the harmony that rises
from the earth and to feel the restless , never satisfied spirit which has become so
dominant a factor in modern thought and feeling . He brings into landscape ...
Ruysdael is the first to hear the plaintive minor chord in the harmony that rises
from the earth and to feel the restless , never satisfied spirit which has become so
dominant a factor in modern thought and feeling . He brings into landscape ...
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Términos y frases comunes
able admiration appear artist atmosphere beautiful become Bosboom canvas cattle century changed CHAPTER character charm churches clouds colour comes composition Constable critic detail drawing dream Dutch early effect expression fact feeling fields figure give given happy heart Holland human ideal ideas imagination imitation important impression individual inspired interest Israels Italy James Maris knowledge land landscape leaves light lines living look manner masters material Matthew Mauve means mind mystery nature never object observer original painter painting passed past perfect period PLATE poetry poets produced realistic reveal scene seems seen shows side skill spirit strong subjects suggestive technical tell things thought tion trees true truth ture Turner Weissenbruch whole William Maris wonder writes
Información bibliográfica
| Título | Landscape Painting and Modern Dutch Artists |
| Autores | E. B. Greenshields, John Ruskin, John Addington Symonds |
| Edición | 3 |
| Editor | Baker & Taylor Company, 1906 |
| Procedencia del original | Universidad de Michigan |
| Digitalizado | 20 Sep. 2010 |
| Largo | 229 páginas |
| Exportar cita | BiBTeX EndNote RefMan |