Landscape Painting and Modern Dutch Artists |
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Página ix
... or when he recalls it in his memory . This vision in pictures painted by great
men changes as it passes through their imagination , and is affected by their
personality . Of course there WA ismust be accurate resemblance , as nature
furnishes ...
... or when he recalls it in his memory . This vision in pictures painted by great
men changes as it passes through their imagination , and is affected by their
personality . Of course there WA ismust be accurate resemblance , as nature
furnishes ...
Página xii
Some people perceive the quality of fine colour more quickly than others , having
a natural gift for it . But all who desire to learn can acquire this knowledge by
practice , and then they soon begin to see that there is something besides this
first ...
Some people perceive the quality of fine colour more quickly than others , having
a natural gift for it . But all who desire to learn can acquire this knowledge by
practice , and then they soon begin to see that there is something besides this
first ...
Página xix
Its universality , its grandeur , its loneliness , its responsiveness to the moods of
humanity , have drawn to it all the lovers of the beautiful in nature , and the
greatest artists have striven to paint its loveliness and the manner in which their
own ...
Its universality , its grandeur , its loneliness , its responsiveness to the moods of
humanity , have drawn to it all the lovers of the beautiful in nature , and the
greatest artists have striven to paint its loveliness and the manner in which their
own ...
Página xx
It cannot imitate nature . If it tries to do this it must fail , and give but a weak
reflection of nature ' s inimitable pictures . But it can give , and it does give , in a
very direct and sympathetic way , the effect produced on the artist by nature . It is
the ...
It cannot imitate nature . If it tries to do this it must fail , and give but a weak
reflection of nature ' s inimitable pictures . But it can give , and it does give , in a
very direct and sympathetic way , the effect produced on the artist by nature . It is
the ...
Página 3
It is thus seen that it is a very difficult thing to render in any branch of art the
feelings inspired by nature . It is perhaps harder to do so in painting landscapes
than in depicting the human form on canvas , or modelling it in sculpture , or by
using ...
It is thus seen that it is a very difficult thing to render in any branch of art the
feelings inspired by nature . It is perhaps harder to do so in painting landscapes
than in depicting the human form on canvas , or modelling it in sculpture , or by
using ...
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able admiration appear artist atmosphere beautiful become Bosboom canvas cattle century changed CHAPTER character charm churches clouds colour comes composition Constable critic detail drawing dream Dutch early effect expression fact feeling fields figure give given happy heart Holland human ideal ideas imagination imitation important impression individual inspired interest Israels Italy James Maris knowledge land landscape leaves light lines living look manner masters material Matthew Mauve means mind mystery nature never object observer original painter painting passed past perfect period PLATE poetry poets produced realistic reveal scene seems seen shows side skill spirit strong subjects suggestive technical tell things thought tion trees true truth ture Turner Weissenbruch whole William Maris wonder writes
Información bibliográfica
| Título | Landscape Painting and Modern Dutch Artists |
| Autores | E. B. Greenshields, John Ruskin, John Addington Symonds |
| Edición | 3 |
| Editor | Baker & Taylor Company, 1906 |
| Procedencia del original | Universidad de Michigan |
| Digitalizado | 20 Sep. 2010 |
| Largo | 229 páginas |
| Exportar cita | BiBTeX EndNote RefMan |