Landscape Painting and Modern Dutch Artists |
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Página xiii
But it must not be forgotten that while there is great technical skill in all fine
pictures , this should not be considered as the end , but only the means , and it
must be informed and inspired by the mind of the artist . Then it becomes indeed
the ...
But it must not be forgotten that while there is great technical skill in all fine
pictures , this should not be considered as the end , but only the means , and it
must be informed and inspired by the mind of the artist . Then it becomes indeed
the ...
Página xx
It is the means the artist has of revealing the feelings that possess him in the
presence of nature . This is its proper sphere , and in this only can it excel . It is
not , as it is often supposed to be , something as like the solid earth as possible .
It is the means the artist has of revealing the feelings that possess him in the
presence of nature . This is its proper sphere , and in this only can it excel . It is
not , as it is often supposed to be , something as like the solid earth as possible .
Página 3
They must be used for the direct representation of thought and feeling ; but they
must also be combined with so subtle an imagination as to suggest much which
there is no means of directly expressing . And this can be done , for experience ...
They must be used for the direct representation of thought and feeling ; but they
must also be combined with so subtle an imagination as to suggest much which
there is no means of directly expressing . And this can be done , for experience ...
Página 14
He considers that the idea should first be conceived clearly , and then
reproduced by means of external forms , used as symbols , and treated so as to
enable the spectator to " Painting , understand the idea in the picture . It is
Spanish and ...
He considers that the idea should first be conceived clearly , and then
reproduced by means of external forms , used as symbols , and treated so as to
enable the spectator to " Painting , understand the idea in the picture . It is
Spanish and ...
Página 16
I . revolution in the art of his day as this means is entitled to far more than the
grudging praise accorded by Ruskin , and well deserves the great honour in
which he has been universally held by succeeding generations . It is interesting
to note ...
I . revolution in the art of his day as this means is entitled to far more than the
grudging praise accorded by Ruskin , and well deserves the great honour in
which he has been universally held by succeeding generations . It is interesting
to note ...
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Términos y frases comunes
able admiration appear artist atmosphere beautiful become Bosboom canvas cattle century changed CHAPTER character charm churches clouds colour comes composition Constable critic detail drawing dream Dutch early effect expression fact feeling fields figure give given happy heart Holland human ideal ideas imagination imitation important impression individual inspired interest Israels Italy James Maris knowledge land landscape leaves light lines living look manner masters material Matthew Mauve means mind mystery nature never object observer original painter painting passed past perfect period PLATE poetry poets produced realistic reveal scene seems seen shows side skill spirit strong subjects suggestive technical tell things thought tion trees true truth ture Turner Weissenbruch whole William Maris wonder writes
Información bibliográfica
| Título | Landscape Painting and Modern Dutch Artists |
| Autores | E. B. Greenshields, John Ruskin, John Addington Symonds |
| Edición | 3 |
| Editor | Baker & Taylor Company, 1906 |
| Procedencia del original | Universidad de Michigan |
| Digitalizado | 20 Sep. 2010 |
| Largo | 229 páginas |
| Exportar cita | BiBTeX EndNote RefMan |