Landscape Painting and Modern Dutch Artists |
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Página iii
CHAPTER X . Matthew Maris . . . CHAPTER XI . William Maris . . . . . . . . . .
CHAPTER XII . J . H . Weissenbruch . . . . . . . . . APPENDIX 207 The Opinions of
John Ruskin on various artists The Decay of Art , by W . J . Stillman . . .
Landscape , by J ...
CHAPTER X . Matthew Maris . . . CHAPTER XI . William Maris . . . . . . . . . .
CHAPTER XII . J . H . Weissenbruch . . . . . . . . . APPENDIX 207 The Opinions of
John Ruskin on various artists The Decay of Art , by W . J . Stillman . . .
Landscape , by J ...
Página v
Cephalus and Procris . . . Claude le Lorrain . . IX . Prince Balthazar Carlos . .
Velasquez . . . . 26 X . Landscape with Church . . Jacob van Ruysdael . XI .
Landscape with Stormy Sky John Constable . . XII . Crossing the Brook . . . J . M .
W . Turner ...
Cephalus and Procris . . . Claude le Lorrain . . IX . Prince Balthazar Carlos . .
Velasquez . . . . 26 X . Landscape with Church . . Jacob van Ruysdael . XI .
Landscape with Stormy Sky John Constable . . XII . Crossing the Brook . . . J . M .
W . Turner ...
Página ix
PREFACE I PUBLISHED last year an essay on the “ Subjective View of
Landscape Painting . ” As the edition has been distributed and there is a demand
for more copies , I decided , considering the importance of the subject and the
interest it ...
PREFACE I PUBLISHED last year an essay on the “ Subjective View of
Landscape Painting . ” As the edition has been distributed and there is a demand
for more copies , I decided , considering the importance of the subject and the
interest it ...
Página xix
CHAPTER I A BRIEF HISTORY Ham“ THERE is a passage in Emerson where
Landscape . he ingeniously observes that although fields old . Chap I . and farms
belong to this man or that , the land - erton . scape is nobody ' s private property .
CHAPTER I A BRIEF HISTORY Ham“ THERE is a passage in Emerson where
Landscape . he ingeniously observes that although fields old . Chap I . and farms
belong to this man or that , the land - erton . scape is nobody ' s private property .
Página xx
Landscape art is something quite different from this . It cannot imitate nature . If it
tries to do this it must fail , and give but a weak reflection of nature ' s inimitable
pictures . But it can give , and it does give , in a very direct and sympathetic way ...
Landscape art is something quite different from this . It cannot imitate nature . If it
tries to do this it must fail , and give but a weak reflection of nature ' s inimitable
pictures . But it can give , and it does give , in a very direct and sympathetic way ...
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Términos y frases comunes
able admiration appear artist atmosphere beautiful become Bosboom canvas cattle century changed CHAPTER character charm churches clouds colour comes composition Constable critic detail drawing dream Dutch early effect expression fact feeling fields figure give given happy heart Holland human ideal ideas imagination imitation important impression individual inspired interest Israels Italy James Maris knowledge land landscape leaves light lines living look manner masters material Matthew Mauve means mind mystery nature never object observer original painter painting passed past perfect period PLATE poetry poets produced realistic reveal scene seems seen shows side skill spirit strong subjects suggestive technical tell things thought tion trees true truth ture Turner Weissenbruch whole William Maris wonder writes
Información bibliográfica
| Título | Landscape Painting and Modern Dutch Artists |
| Autores | E. B. Greenshields, John Ruskin, John Addington Symonds |
| Edición | 3 |
| Editor | Baker & Taylor Company, 1906 |
| Procedencia del original | Universidad de Michigan |
| Digitalizado | 20 Sep. 2010 |
| Largo | 229 páginas |
| Exportar cita | BiBTeX EndNote RefMan |