Landscape Painting and Modern Dutch ArtistsBaker & Taylor Company, 1906 - 229 páginas |
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Página xix
... land- erton . scape is nobody's private property . " It is a real and lasting possession for all who can enjoy it . Its universality , its grandeur , its loneliness , its responsiveness to the moods of humanity , have drawn to it all ...
... land- erton . scape is nobody's private property . " It is a real and lasting possession for all who can enjoy it . Its universality , its grandeur , its loneliness , its responsiveness to the moods of humanity , have drawn to it all ...
Página xx
... Land- scape . " erton . effect on the mind of each particular human being who fancies that he sees something , and knows that he feels something , when he stands in the presence of nature . His feelings are a reality , but with regard ...
... Land- scape . " erton . effect on the mind of each particular human being who fancies that he sees something , and knows that he feels something , when he stands in the presence of nature . His feelings are a reality , but with regard ...
Página 11
... land were subjects in every way worthy of their art . Painters . " 1888 " From the window of Titian's house at Venice the chain of the Tyrolese Alps is seen lifted in spectral power above the tufted plain of Treviso ; every dawn that ...
... land were subjects in every way worthy of their art . Painters . " 1888 " From the window of Titian's house at Venice the chain of the Tyrolese Alps is seen lifted in spectral power above the tufted plain of Treviso ; every dawn that ...
Página 18
... land where all are happy , and where sorrow and suffering enter not , as a contrast to his own experience and as a relief to his distressed heart . Then the genius of art touches Constable2 21776–1837 . and Turner3 in England ...
... land where all are happy , and where sorrow and suffering enter not , as a contrast to his own experience and as a relief to his distressed heart . Then the genius of art touches Constable2 21776–1837 . and Turner3 in England ...
Página 25
... produced by Pheidias and the other artists of the bril- liant age of Pericles . Such a period is seen in Italy after the dark ages , when the revival of learning spread through the land and the long line REVIVAL OF DUTCH ART 25.
... produced by Pheidias and the other artists of the bril- liant age of Pericles . Such a period is seen in Italy after the dark ages , when the revival of learning spread through the land and the long line REVIVAL OF DUTCH ART 25.
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Términos y frases comunes
admiration Anton Mauve appear atmosphere Barbizon school beautiful Bosboom canvas cattle century CHAPTER charm churches Claude clouds colour composition Constable Corot Delacroix drawing dream Dutch artists effect Emerson emotion Essay Eugène Eugène Delacroix Eugène Fromentin expression figure genius give Hamerton heart Holland ideal ideas imagination imitation impression inspired J. F. Millet J. H. Weissenbruch J. M. W. Turner Jacob Van Ruysdael James Maris Johannes Bosboom Josef Israels knowledge land landscape art landscape painter light living look masters Matthew Maris ment mind modern Dutch Modern Painters moods mystery nature never Nicolas Poussin painting perfect PLATE poetical poetry poets produced realistic Rembrandt render Rubens Ruskin Ruysdael scene seems seen shows skies skill spirit sympathy technical things thou tion Titian trees true truth ture Turner W. E. Henley Whistler William Maris wonder