Landscape Painting and Modern Dutch Artists |
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Página xii
Looked at from the observer ' s point of view , the first effect produced by a good
picture on anyone commencing this study is a generally pleasing impression of
harmonious colour and of interesting subject . Some people perceive the quality
of ...
Looked at from the observer ' s point of view , the first effect produced by a good
picture on anyone commencing this study is a generally pleasing impression of
harmonious colour and of interesting subject . Some people perceive the quality
of ...
Página xiii
first impression of colour and subject , about the picture , something that causes
them to stop and think , and they find out by experience that this something they
feel is the thought and individuality of the artist , impressed by him on the picture
...
first impression of colour and subject , about the picture , something that causes
them to stop and think , and they find out by experience that this something they
feel is the thought and individuality of the artist , impressed by him on the picture
...
Página 18
He was the first to give a real out - of - door , atmospheric appearance to his
pictures , and he had a very vigorous and personal manner of painting . ( See
Plate 11 . ) Some of his pictures were exhibited in France and made a great
impression ...
He was the first to give a real out - of - door , atmospheric appearance to his
pictures , and he had a very vigorous and personal manner of painting . ( See
Plate 11 . ) Some of his pictures were exhibited in France and made a great
impression ...
Página 18
... de l ' impression qu ' il m ' avait produite au moment où je peignais le Massacre
de Scio . Lui et Turner sont de véritables réformateurs . Ils sont sortis de l ' ornière
des paysagistes anciens . Notre école a grandement profité de leur example .
... de l ' impression qu ' il m ' avait produite au moment où je peignais le Massacre
de Scio . Lui et Turner sont de véritables réformateurs . Ils sont sortis de l ' ornière
des paysagistes anciens . Notre école a grandement profité de leur example .
Página 41
P . G . Hamerton . fidelity to nature had only produced a topographical picture
and did not give the true impression made on him . Whereas Turner lacks that
scape . ” ah Hawthorne indescrib - had by an effort of the. 2 " Talent 2d Edition .
P . G . Hamerton . fidelity to nature had only produced a topographical picture
and did not give the true impression made on him . Whereas Turner lacks that
scape . ” ah Hawthorne indescrib - had by an effort of the. 2 " Talent 2d Edition .
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Términos y frases comunes
able admiration appear artist atmosphere beautiful become Bosboom canvas cattle century changed CHAPTER character charm churches clouds colour comes composition Constable critic detail drawing dream Dutch early effect expression fact feeling fields figure give given happy heart Holland human ideal ideas imagination imitation important impression individual inspired interest Israels Italy James Maris knowledge land landscape leaves light lines living look manner masters material Matthew Mauve means mind mystery nature never object observer original painter painting passed past perfect period PLATE poetry poets produced realistic reveal scene seems seen shows side skill spirit strong subjects suggestive technical tell things thought tion trees true truth ture Turner Weissenbruch whole William Maris wonder writes
Información bibliográfica
| Título | Landscape Painting and Modern Dutch Artists |
| Autores | E. B. Greenshields, John Ruskin, John Addington Symonds |
| Edición | 3 |
| Editor | Baker & Taylor Company, 1906 |
| Procedencia del original | Universidad de Michigan |
| Digitalizado | 20 Sep. 2010 |
| Largo | 229 páginas |
| Exportar cita | BiBTeX EndNote RefMan |