Landscape Painting and Modern Dutch Artists |
Dentro del libro
Resultados 1-5 de 29
Página 6
It was used mainly as an accessory of figure painting , for which it made a
convenient background . But it was mostly conventional work , and very seldom
was there any attempt to treat nature for its own sake . Still very charming are
many of ...
It was used mainly as an accessory of figure painting , for which it made a
convenient background . But it was mostly conventional work , and very seldom
was there any attempt to treat nature for its own sake . Still very charming are
many of ...
Página 8
He also painted some fine landscapes in the “ Adoration of the Magi , " and the “
Supper at Emmaus , " and there is in the Pitti Palace , Florence , a drawing ,
without any figures in it , of a scene in the Cadore country . A wood of great trees
is ...
He also painted some fine landscapes in the “ Adoration of the Magi , " and the “
Supper at Emmaus , " and there is in the Pitti Palace , Florence , a drawing ,
without any figures in it , of a scene in the Cadore country . A wood of great trees
is ...
Página 13
... corn is contrasted with the meadows in their fresh green after the shower of
rain , and the trees , lit up by the sun , are seen against a sky full of rest after a
storm . But although Rubens was first in this field , his principal work was in figure
...
... corn is contrasted with the meadows in their fresh green after the shower of
rain , and the trees , lit up by the sun , are seen against a sky full of rest after a
storm . But although Rubens was first in this field , his principal work was in figure
...
Página 17
... or the “ Fountain of the Tritons ” ; or the beautiful background to “ Prince
Balthazar Carlos ” ( see Plate 9 ) with its tall tree extending up one side of the
picture and the leafy branches covering the space above the figure of the young
Prince .
... or the “ Fountain of the Tritons ” ; or the beautiful background to “ Prince
Balthazar Carlos ” ( see Plate 9 ) with its tall tree extending up one side of the
picture and the leafy branches covering the space above the figure of the young
Prince .
Página 18
was Watteau , ' in France , who painted his 11684 – 1721 . lovely dreams with a
strange creative power , and placed the figures of the gay men and women of his
fantasies in idyllic scenes of remarkable beauty and charming , sparkling colour .
was Watteau , ' in France , who painted his 11684 – 1721 . lovely dreams with a
strange creative power , and placed the figures of the gay men and women of his
fantasies in idyllic scenes of remarkable beauty and charming , sparkling colour .
Comentarios de la gente - Escribir un comentario
No encontramos ningún comentario en los lugares habituales.
Otras ediciones - Ver todas
Términos y frases comunes
able admiration appear artist atmosphere beautiful become Bosboom canvas cattle century changed CHAPTER character charm churches clouds colour comes composition Constable critic detail drawing dream Dutch early effect expression fact feeling fields figure give given happy heart Holland human ideal ideas imagination imitation important impression individual inspired interest Israels Italy James Maris knowledge land landscape leaves light lines living look manner masters material Matthew Mauve means mind mystery nature never object observer original painter painting passed past perfect period PLATE poetry poets produced realistic reveal scene seems seen shows side skill spirit strong subjects suggestive technical tell things thought tion trees true truth ture Turner Weissenbruch whole William Maris wonder writes
Información bibliográfica
| Título | Landscape Painting and Modern Dutch Artists |
| Autores | E. B. Greenshields, John Ruskin, John Addington Symonds |
| Edición | 3 |
| Editor | Baker & Taylor Company, 1906 |
| Procedencia del original | Universidad de Michigan |
| Digitalizado | 20 Sep. 2010 |
| Largo | 229 páginas |
| Exportar cita | BiBTeX EndNote RefMan |