Landscape Painting and Modern Dutch ArtistsBaker & Taylor Company, 1906 - 229 páginas |
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Página xvii
... field , that wood . No lens may catch the soul that lies Hidden in Nature's wondrous breast ; Alone , the lover's reverent eye May there a blissful moment rest . And how he wonders and adores , As to his soul her own replies , And ...
... field , that wood . No lens may catch the soul that lies Hidden in Nature's wondrous breast ; Alone , the lover's reverent eye May there a blissful moment rest . And how he wonders and adores , As to his soul her own replies , And ...
Página xix
... fields P. G. Ham- and farms belong to this man or that , the land- erton . scape is nobody's private property . " It is a real and lasting possession for all who can enjoy it . Its universality , its grandeur , its loneliness , its ...
... fields P. G. Ham- and farms belong to this man or that , the land- erton . scape is nobody's private property . " It is a real and lasting possession for all who can enjoy it . Its universality , its grandeur , its loneliness , its ...
Página 13
... field , his principal work was in figure painting , and to this he gave his chief attention . Nicolas Poussin was one of the great painters of France . He recorded nature very faithfully Michel . and accurately , with special attention ...
... field , his principal work was in figure painting , and to this he gave his chief attention . Nicolas Poussin was one of the great painters of France . He recorded nature very faithfully Michel . and accurately , with special attention ...
Página 33
... fields of William Maris to them . This is the reason of their greatness ; they were original and self - reveal- ing , their insight went further and deeper than that of others , and they painted with " Only great technical skill what ...
... fields of William Maris to them . This is the reason of their greatness ; they were original and self - reveal- ing , their insight went further and deeper than that of others , and they painted with " Only great technical skill what ...
Página 56
... fields . In my desire to be accurate I became lost in a maze of detail . Try as I would my colours were not those of nature . My leaves were infinitely below the standard of a leaf , my finest strokes were coarse and crude . The old ...
... fields . In my desire to be accurate I became lost in a maze of detail . Try as I would my colours were not those of nature . My leaves were infinitely below the standard of a leaf , my finest strokes were coarse and crude . The old ...
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Términos y frases comunes
admiration Anton Mauve appear atmosphere Barbizon school beautiful Bosboom canvas cattle century CHAPTER charm churches Claude clouds colour composition Constable Corot Delacroix drawing dream Dutch artists effect Emerson emotion Essay Eugène Eugène Delacroix Eugène Fromentin expression figure genius give Hamerton heart Holland ideal ideas imagination imitation impression inspired J. F. Millet J. H. Weissenbruch J. M. W. Turner Jacob Van Ruysdael James Maris Johannes Bosboom Josef Israels knowledge land landscape art landscape painter light living look masters Matthew Maris ment mind modern Dutch Modern Painters moods mystery nature never Nicolas Poussin painting perfect PLATE poetical poetry poets produced realistic Rembrandt render Rubens Ruskin Ruysdael scene seems seen shows skies skill spirit sympathy technical things thou tion Titian trees true truth ture Turner W. E. Henley Whistler William Maris wonder