Landscape Painting and Modern Dutch Artists |
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Página xi
It is my hope that this book will prove useful in drawing attention to a source of
pleasure open to all , and that it will help to encourage a taste for it by trying to
show what should be looked for and what should be found in pictures . In support
of ...
It is my hope that this book will prove useful in drawing attention to a source of
pleasure open to all , and that it will help to encourage a taste for it by trying to
show what should be looked for and what should be found in pictures . In support
of ...
Página xiii
As soon as this , the finer meaning of painting , is understood , it well repays
anyone to learn as much as possible of the processes by which the artists
produce their pictures , the drawing of form , the skilful use of colour , the
attainment of ...
As soon as this , the finer meaning of painting , is understood , it well repays
anyone to learn as much as possible of the processes by which the artists
produce their pictures , the drawing of form , the skilful use of colour , the
attainment of ...
Página 7
Very fine also are the backgrounds painted by Perugino and Pinturicchio ( see
Plate 3 ) and the somewhat sad landscapes of Raphael , with 81483 - 1520 . their
beautiful drawing of grass , flower , and tree in every detail . ( See Plate 4 . ) ...
Very fine also are the backgrounds painted by Perugino and Pinturicchio ( see
Plate 3 ) and the somewhat sad landscapes of Raphael , with 81483 - 1520 . their
beautiful drawing of grass , flower , and tree in every detail . ( See Plate 4 . ) ...
Página 8
He also painted some fine landscapes in the “ Adoration of the Magi , " and the “
Supper at Emmaus , " and there is in the Pitti Palace , Florence , a drawing ,
without any figures in it , of a scene in the Cadore country . A wood of great trees
is ...
He also painted some fine landscapes in the “ Adoration of the Magi , " and the “
Supper at Emmaus , " and there is in the Pitti Palace , Florence , a drawing ,
without any figures in it , of a scene in the Cadore country . A wood of great trees
is ...
Página 40
The drawing was the same , that is to say , the general make of things , but each
man had involuntarily looked upon what was most interesting to him in the whole
sight . The colour of each painting was different , and each picture would have ...
The drawing was the same , that is to say , the general make of things , but each
man had involuntarily looked upon what was most interesting to him in the whole
sight . The colour of each painting was different , and each picture would have ...
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Términos y frases comunes
able admiration appear artist atmosphere beautiful become Bosboom canvas cattle century changed CHAPTER character charm churches clouds colour comes composition Constable critic detail drawing dream Dutch early effect expression fact feeling fields figure give given happy heart Holland human ideal ideas imagination imitation important impression individual inspired interest Israels Italy James Maris knowledge land landscape leaves light lines living look manner masters material Matthew Mauve means mind mystery nature never object observer original painter painting passed past perfect period PLATE poetry poets produced realistic reveal scene seems seen shows side skill spirit strong subjects suggestive technical tell things thought tion trees true truth ture Turner Weissenbruch whole William Maris wonder writes
Información bibliográfica
| Título | Landscape Painting and Modern Dutch Artists |
| Autores | E. B. Greenshields, John Ruskin, John Addington Symonds |
| Edición | 3 |
| Editor | Baker & Taylor Company, 1906 |
| Procedencia del original | Universidad de Michigan |
| Digitalizado | 20 Sep. 2010 |
| Largo | 229 páginas |
| Exportar cita | BiBTeX EndNote RefMan |