Landscape Painting and Modern Dutch ArtistsBaker & Taylor Company, 1906 - 229 páginas |
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Página 18
... changed his painting , " The Massacre of Scio , " which was at the time being exhibited . And in 1847 he writes : " Constable dit que la superiorité du vert de ses prairies tient à ce qu'il est un composé d'une multitude de verts ...
... changed his painting , " The Massacre of Scio , " which was at the time being exhibited . And in 1847 he writes : " Constable dit que la superiorité du vert de ses prairies tient à ce qu'il est un composé d'une multitude de verts ...
Página 31
E. B. Greenshields. tury so alive ; the same spirit but the environ- ment changed . And so it is not the aim of these masters to emulate or copy the great men of a past age . They are full of modern ideas and endeavour to solve the ...
E. B. Greenshields. tury so alive ; the same spirit but the environ- ment changed . And so it is not the aim of these masters to emulate or copy the great men of a past age . They are full of modern ideas and endeavour to solve the ...
Página 36
... changed as its varied scenes pass through the alembic of the artist's imagination ere he bodies them . forth on his canvas . There needs must be both realism and idealism in art , but the former should be subordinate to the latter ...
... changed as its varied scenes pass through the alembic of the artist's imagination ere he bodies them . forth on his canvas . There needs must be both realism and idealism in art , but the former should be subordinate to the latter ...
Página 41
... changed the shape of " Land- another . In literal and exact truth he was scape . " wrong , but Hamerton realized that his own XIII . P.G. fidelity to nature had only produced a topo- graphical picture and did not give the true ...
... changed the shape of " Land- another . In literal and exact truth he was scape . " wrong , but Hamerton realized that his own XIII . P.G. fidelity to nature had only produced a topo- graphical picture and did not give the true ...
Página 52
... place to the love of the absolute , textual truth . Photographic studies as to the effects of light have changed the greater proportion Belgium and Hol- land . " Eugène of ways of seeing , feeling , and painting . 52 LANDSCAPE PAINTING.
... place to the love of the absolute , textual truth . Photographic studies as to the effects of light have changed the greater proportion Belgium and Hol- land . " Eugène of ways of seeing , feeling , and painting . 52 LANDSCAPE PAINTING.
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Términos y frases comunes
admiration Anton Mauve appear atmosphere Barbizon school beautiful Bosboom canvas cattle century CHAPTER charm churches Claude clouds colour composition Constable Corot Delacroix drawing dream Dutch artists effect Emerson emotion Essay Eugène Eugène Delacroix Eugène Fromentin expression figure genius give Hamerton heart Holland ideal ideas imagination imitation impression inspired J. F. Millet J. H. Weissenbruch J. M. W. Turner Jacob Van Ruysdael James Maris Johannes Bosboom Josef Israels knowledge land landscape art landscape painter light living look masters Matthew Maris ment mind modern Dutch Modern Painters moods mystery nature never Nicolas Poussin painting perfect PLATE poetical poetry poets produced realistic Rembrandt render Rubens Ruskin Ruysdael scene seems seen shows skies skill spirit sympathy technical things thou tion Titian trees true truth ture Turner W. E. Henley Whistler William Maris wonder