Landscape Painting and Modern Dutch Artists |
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Página 18
pletely changed his painting , “ The Massacre Vol . I . of Scio , ” which was at the
time being exhibited . And in 1847 he writes : “ Constable dit que la superiorité du
vert de ses prairies tient à ce qu ' il est un composé d ' une multitude de verts ...
pletely changed his painting , “ The Massacre Vol . I . of Scio , ” which was at the
time being exhibited . And in 1847 he writes : “ Constable dit que la superiorité du
vert de ses prairies tient à ce qu ' il est un composé d ' une multitude de verts ...
Página 31
tury so alive ; the same spirit but the environment changed . And so it is not the
aim of these masters to emulate or copy the great men of a past age . They are
full of modern ideas and endeavour to solve the problems of their own day and ...
tury so alive ; the same spirit but the environment changed . And so it is not the
aim of these masters to emulate or copy the great men of a past age . They are
full of modern ideas and endeavour to solve the problems of their own day and ...
Página 36
They believe that great art is ideal and subjective , and that nature is changed as
its varied scenes pass through the alembic of the artist ' s imagination ere he
bodies them forth on his canvas . There needs must be both realism and idealism
in ...
They believe that great art is ideal and subjective , and that nature is changed as
its varied scenes pass through the alembic of the artist ' s imagination ere he
bodies them forth on his canvas . There needs must be both realism and idealism
in ...
Página 41
To gain the real but not the apparent truth , Chapter IV . he disregarded local
conditions . He drew P . G . Hamerton . the mountain too high , left out a
neighbouring and peak , Ben Vorich , and changed the shape of “ Landanother .
In literal and ...
To gain the real but not the apparent truth , Chapter IV . he disregarded local
conditions . He drew P . G . Hamerton . the mountain too high , left out a
neighbouring and peak , Ben Vorich , and changed the shape of “ Landanother .
In literal and ...
Página 52
... as to the effects of light have changed the greater proportion Mas Eugène eve
Onof ways of seeing , feeling , and painting LANDSCAPE PAINTING.
... as to the effects of light have changed the greater proportion Mas Eugène eve
Onof ways of seeing , feeling , and painting LANDSCAPE PAINTING.
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Términos y frases comunes
able admiration appear artist atmosphere beautiful become Bosboom canvas cattle century changed CHAPTER character charm churches clouds colour comes composition Constable critic detail drawing dream Dutch early effect expression fact feeling fields figure give given happy heart Holland human ideal ideas imagination imitation important impression individual inspired interest Israels Italy James Maris knowledge land landscape leaves light lines living look manner masters material Matthew Mauve means mind mystery nature never object observer original painter painting passed past perfect period PLATE poetry poets produced realistic reveal scene seems seen shows side skill spirit strong subjects suggestive technical tell things thought tion trees true truth ture Turner Weissenbruch whole William Maris wonder writes
Información bibliográfica
| Título | Landscape Painting and Modern Dutch Artists |
| Autores | E. B. Greenshields, John Ruskin, John Addington Symonds |
| Edición | 3 |
| Editor | Baker & Taylor Company, 1906 |
| Procedencia del original | Universidad de Michigan |
| Digitalizado | 20 Sep. 2010 |
| Largo | 229 páginas |
| Exportar cita | BiBTeX EndNote RefMan |