Landscape Painting and Modern Dutch Artists |
Dentro del libro
Resultados 1-5 de 18
Página 18
He was the first to give a real out - of - door , atmospheric appearance to his
pictures , and he had a very vigorous and personal manner of painting . ( See
Plate 11 . ) Some of his pictures were exhibited in France and made a great
impression ...
He was the first to give a real out - of - door , atmospheric appearance to his
pictures , and he had a very vigorous and personal manner of painting . ( See
Plate 11 . ) Some of his pictures were exhibited in France and made a great
impression ...
Página 57
sky , foliage , and earth — the whole bathed in an atmosphere of golden
luminosity . I threw my brushes aside ; they were too small for the work in hand . I
squeezed out big chunks of pure , moist colour , and taking my palette knife I laid
on ...
sky , foliage , and earth — the whole bathed in an atmosphere of golden
luminosity . I threw my brushes aside ; they were too small for the work in hand . I
squeezed out big chunks of pure , moist colour , and taking my palette knife I laid
on ...
Página 110
... Mauve – but not his landscapes , with ploughmen , cattle , or flocks of sheep ,
all bathed in atmosphere , and painted with a rare tenderness and beauty ;
James " - ਵਾਰ ਦਾ Maris — but not those vigorous IIO LANDSCAPE
PAINTING.
... Mauve – but not his landscapes , with ploughmen , cattle , or flocks of sheep ,
all bathed in atmosphere , and painted with a rare tenderness and beauty ;
James " - ਵਾਰ ਦਾ Maris — but not those vigorous IIO LANDSCAPE
PAINTING.
Página 110
They suggested the basis of an art which should deal broadly with man ' s
impressions of the natural appearance of weather , atmosphere , and distance ,
and their correspondence with his moods . ” His work was not appreciated in his
lifetime ...
They suggested the basis of an art which should deal broadly with man ' s
impressions of the natural appearance of weather , atmosphere , and distance ,
and their correspondence with his moods . ” His work was not appreciated in his
lifetime ...
Página 112
His main idea was to give the effect of atmosphere and light in nature , and he
realized that this could only be done by giving the appearance of great simplicity
in his paintings and leaving out all detail that could be dispensed with . To see
how ...
His main idea was to give the effect of atmosphere and light in nature , and he
realized that this could only be done by giving the appearance of great simplicity
in his paintings and leaving out all detail that could be dispensed with . To see
how ...
Comentarios de la gente - Escribir un comentario
No encontramos ningún comentario en los lugares habituales.
Otras ediciones - Ver todas
Términos y frases comunes
able admiration appear artist atmosphere beautiful become Bosboom canvas cattle century changed CHAPTER character charm churches clouds colour comes composition Constable critic detail drawing dream Dutch early effect expression fact feeling fields figure give given happy heart Holland human ideal ideas imagination imitation important impression individual inspired interest Israels Italy James Maris knowledge land landscape leaves light lines living look manner masters material Matthew Mauve means mind mystery nature never object observer original painter painting passed past perfect period PLATE poetry poets produced realistic reveal scene seems seen shows side skill spirit strong subjects suggestive technical tell things thought tion trees true truth ture Turner Weissenbruch whole William Maris wonder writes
Información bibliográfica
| Título | Landscape Painting and Modern Dutch Artists |
| Autores | E. B. Greenshields, John Ruskin, John Addington Symonds |
| Edición | 3 |
| Editor | Baker & Taylor Company, 1906 |
| Procedencia del original | Universidad de Michigan |
| Digitalizado | 20 Sep. 2010 |
| Largo | 229 páginas |
| Exportar cita | BiBTeX EndNote RefMan |