Landscape Painting and Modern Dutch ArtistsBaker & Taylor Company, 1906 - 229 páginas |
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Página iii
... Bosboom I · 23 35 81 109 127 CHAPTER VII . Josef Israels CHAPTER VIII . James Maris 135 146 CHAPTER IX . Anton Mauve CHAPTER X. Matthew Maris CHAPTER XI . William Maris CHAPTER XII . J. H. Weissenbruch 155 164 174 182 APPENDIX The ...
... Bosboom I · 23 35 81 109 127 CHAPTER VII . Josef Israels CHAPTER VIII . James Maris 135 146 CHAPTER IX . Anton Mauve CHAPTER X. Matthew Maris CHAPTER XI . William Maris CHAPTER XII . J. H. Weissenbruch 155 164 174 182 APPENDIX The ...
Página 29
... interiors of churches and other buildings as his chosen subjects , Johannes Bosboom . " He 1817-1891 . was the first to break with the old order of things and to give a new interpretation . The dry REVIVAL OF DUTCH ART 29.
... interiors of churches and other buildings as his chosen subjects , Johannes Bosboom . " He 1817-1891 . was the first to break with the old order of things and to give a new interpretation . The dry REVIVAL OF DUTCH ART 29.
Página 30
... Bos- boom inaugurated the new era . By his origi- nality and force of character , and the beauty gestion that and variety ... Bosboom and Israels were the first to appear , but they were soon followed by the other creative forces of this ...
... Bos- boom inaugurated the new era . By his origi- nality and force of character , and the beauty gestion that and variety ... Bosboom and Israels were the first to appear , but they were soon followed by the other creative forces of this ...
Página 33
... Bosboom are equally personal to him , as are the cattle and sheep of Mauve , and the landscapes of James Maris and Weis- senbruch and the sun - lit fields of William Maris to them . This is the reason of their greatness ; they were ...
... Bosboom are equally personal to him , as are the cattle and sheep of Mauve , and the landscapes of James Maris and Weis- senbruch and the sun - lit fields of William Maris to them . This is the reason of their greatness ; they were ...
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Términos y frases comunes
admiration Anton Mauve appear atmosphere Barbizon school beautiful Bosboom canvas cattle century CHAPTER charm churches Claude clouds colour composition Constable Corot Delacroix drawing dream Dutch artists effect Emerson emotion Essay Eugène Eugène Delacroix Eugène Fromentin expression figure genius give Hamerton heart Holland ideal ideas imagination imitation impression inspired J. F. Millet J. H. Weissenbruch J. M. W. Turner Jacob Van Ruysdael James Maris Johannes Bosboom Josef Israels knowledge land landscape art landscape painter light living look masters Matthew Maris ment mind modern Dutch Modern Painters moods mystery nature never Nicolas Poussin painting perfect PLATE poetical poetry poets produced realistic Rembrandt render Rubens Ruskin Ruysdael scene seems seen shows skies skill spirit sympathy technical things thou tion Titian trees true truth ture Turner W. E. Henley Whistler William Maris wonder