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alten Aufl Ausgaben auszer Benedix blosze Bühne Charakter Cordelia deutschen Dichter dramatischen Dramen Elze England englischen erscheinen ersten Falstaff finden first Frankreich Franzosen ganze Geist Gervinus giebt Gloster Göthe great groszen Hamlet Hand Handlung heart Heinrich Heinrich IV heiszt Helden Herausgeber Herr Herz hohen jetzt Jonson Julius Caesar Karakter Kaufmann von Venedig Kent King König Lear konnte Kritik Kunst lassen lässt Leben Leidenschaft Leipzig Lesart letzten lich Liebe liesz life London love Ludwig Tieck Lustspiel Macbeth machen macht Mann Masz Max Moltke meisten Menschen Mezieres muss Natur neue Okeaniden Othello plays Poesie poet Polacks pole-axe pollax Recht Rede Richard III Romeo sagt Scene Schauspiel Schiller Schl.-T Schlegel Schlegel'schen SH's Shake Shakespear Shakespearomanie Shakspere Shylock sittlichen soll spear Stelle Streitaxt Stücke süsz Text thee thou Tieck time Tragödie Uebersetzung unsere Vater Victor Hugo viel voll weisz Welt Werke wieder William Shakespear wohl works Worte
Página 166 - He was the man who of all modern, and perhaps ancient poets, had the largest and most comprehensive soul. All the images of Nature were still present to him, and he drew them, not laboriously, but luckily; when he describes anything, you more than see it, you feel it too.
Página 166 - All the images of nature were still present to him, and he drew them not laboriously but luckily: when he describes anything you more than see it, you feel it too. Those who accuse him to have wanted learning, give him the greater commendation: he was naturally learned; he needed not the spectacles of books to read Nature; he looked inwards, and found her there.
Página 120 - Suit the action to the word, the word to the action: with this special observance, that you o'erstep not the modesty of nature; for any thing so overdone is from the purpose of playing, whose end, both at the first, and now, was, and is, to hold, as 'twere, the mirror up to nature; to show virtue her own feature, scorn her own image, and the very age and body of the time, his form, and pressure.
Página 173 - If a Jew wrong a Christian, what is his humility ? Revenge. If a Christian wrong a Jew, what should his sufferance be by Christian example ? Why, revenge. The villany you teach me I will execute, and it shall go hard but I will better the instruction.
Página 47 - The applause! delight! the wonder of our stage! My Shakespeare rise! I will not lodge thee by Chaucer, or Spenser, or bid Beaumont lie A little further, to make thee a room: Thou art a monument without a tomb, And art alive still while thy book doth live And we have wits to read, and praise to give.
Página 129 - Give me the map there. — Know, that we have divided In three, our kingdom : and 'tis our fast intent To shake all cares and business from our age ; Conferring them on younger strengths, while we Unburden'd crawl toward death. — Our son of Cornwall, And you, our no less loving son of Albany, AVe have this hour a constant will to publish Our daughters' several dowers, that future strife May be prevented now.
Página 120 - ... accent of Christians nor the gait of Christian, pagan, nor man, have so strutted and bellowed that I have thought some of nature's journeymen had made men, and not made them well, they imitated humanity so abominably.
Página 263 - Blow, winds, and crack your cheeks! rage! blow! You cataracts and hurricanoes, spout Till you have drench'd our steeples, drown'd the cocks! You sulphurous and thought-executing fires, Vaunt-couriers to oak-cleaving thunderbolts, Singe my white head! And thou all-shaking thunder, Strike flat the thick rotundity o
Página 200 - How sweet the moonlight sleeps upon this bank! Here will we sit, and let the sounds of music Creep in our ears: soft stillness and the night Become the touches of sweet harmony. Sit, Jessica. Look how the floor of heaven Is thick inlaid with patines...