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Lychorida, no tears;

Look to your little mistress, on whose grace

You may depend hereafter.-Come, my lord.

[Exeunt.

SCENE IV. Ephesus. A Room in Cerimon's House.

Enter CERIMON and THAISA.

Cer. Madam, this letter, and some certain jewels,
Lay with you in your coffer; which are now
At your command. Know you the character?
Thai. It is my lord's.

That I was shipped at sea, I well remember,
Even on my eaning time; but whether there
Delivered or no, by the holy gods,

I cannot rightly say. But since king Pericles,
My wedded lord, I ne'er shall see again,
A vestal livery will I take me to,

And never more have joy.

Cer. Madam, if this you purpose as you speak,
Diana's temple is not distant far,

Where you may 'bide until your date expire.2
Moreover, if you please, a niece of mine
Shall there attend you.

Thai. My recompense is thanks, that's all;
Yet my good will is great, though the gift small.

[Exeunt.

1 The quarto, 1619, and the folio, 1664, which was probably printed from it, both read eaning. The first quarto reads learning. To ean or yean, in our elder language, as in the Anglo-Saxon, signified to bring forth young, without any particular reference to sheep.

2 i. e. until you die.

ACT IV.

Enter GoWER.1

Gow. Imagine Pericles arrived at Tyre,
Welcomed and settled to his own desire.
His woful queen leave at Ephesus,
Unto Diana there a votaress.

Now to Marina bend your mind,

Whom our fast-growing scene must find2
At Tharsus, and by Cleon trained
In music, letters; who hath gained
Of education all the grace,

Which makes her both the heart and place
Of general wonder. But, alack!
That monster envy, oft the wrack
Of earned praise, Marina's life
Seeks to take off by treason's knife.
And in this kind hath our Cleon

One daughter, and a wench full grown,
Even ripe for marriage fight; this maid
Hight Philoten and it is said

For certain in our story, she

Would ever with Marina be;

4

Be't when she weaved the sleided silk

With fingers long, small, white as milk;

Or when she would with sharp neeld 5 wound
The cambric, which she made more sound

1 This chorus, and the two following scenes, in the old editions, are printed as part of the third act.

2 The same expression occurs in the chorus to The Winter's Tale :—

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your patience this allowing,

I turn my glass, and give my scene such growing

As you had slept between.""

3 The old copies read :

"Which makes high both the art and place."

The emendation is by Steevens. Place here signifies residence.

4 "Sleided silk" is unwrought silk, prepared for weaving by passing

it through the weaver's sley or reed-comb.

5 The old copies read needle; but the metre shows that we should read neeld. The word is thus abbreviated in a subsequent passage in the first quarto. See King John, Act v. Sc. 2.

By hurting it; or when to the lute
She sung, and made the night-bird mute,
That still records with moan; or when
She would with rich and constant pen
Vail to her mistress Dian; still
This Philoten contends in skill
With absolute 3 Marina; so

With the dove of Paphos might the crow
Vie feathers white. Marina gets
All praises, which are paid as debts,
And not as given. This so darks
In Philoten all graceful marks,
That Cleon's wife, with envy rare,
A present murderer does prepare
For good Marina, that her daughter
Might stand peerless by this slaughter.
The sooner her vile thoughts to stead,
Lychorida, our nurse, is dead;
And cursed Dionyza hath

4

The pregnant instrument of wrath
Prest for this blow. The unborn event

I do commend to your content;

Only I carry winged time

5

Post on the lame feet of my rhyme ;

Which never could I so convey,

Unless your thoughts went on my way.—

Dionyza does appear,

With Leonine, a murderer.

[Exit.

SCENE 1. Tharsus. An open Place near the Sea

shore.

Enter DIONYZA and LEONINE.

Dion. Thy oath remember; thou hast sworn to do it; 'Tis but a blow, which never shall be known.

1 To record anciently signified to sing.

2 l'ail is probably a misprint. Steevens suggests that we should read "Hail." Malone proposes to substitute " Wail."

3 i. e. highly accomplished, perfect.

4 Pregnant, in this instance, means apt, quick. Prest is ready.

5 Steevens conjectures that the Poet wrote consent instead of content.

Thou canst not do a thing i' the world so soon,
To yield thee so much profit. Let not conscience,
Which is but cold, inflaming love, thy bosom
Inflame too nicely; nor let pity, which

Even women have cast off, melt thee, but be
A soldier to thy purpose.

Leon. I'll do't; but yet she is a goodly creature. Dion. The fitter then the gods should have her. Here

Weeping she comes for her old nurse's death."

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Enter MARINA, with a basket of flowers.

Mar. No, no, I will rob Tellus of her weed, To strew thy green 3 with flowers; the yellows, blues, The purple violets, and marigolds,

Shall, as a chaplet, hang upon thy grave,

While summer days do last.

Ah me! poor maid,

Born in a tempest, when my mother died,

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Which is but cold, inflame love in thy bosom,

Inflame too nicely, nor let pity," &c.

Steevens proposed to omit the words "Inflame too nicely," and "which even," adding the pronoun that, in the following manner :

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Which is but cold, inflame love in thy bosom;

Nor let that pity women have cast off

Melt thee, but be a soldier to thy purpose."

The reading here given is sufficiently intelligible, and deviates less from the old copy. Nicely here means tenderly, fondly.

2 The old copy reads:

"Here she comes weeping for her onely mistresse death."

The suggestion and emendation are Dr. Percy's.

3 This is the reading of the quarto copy; the folio reads grave. Weed, in old language, meant garment.

4 The old copy reads, "Shall as a carpet hang," &c. The emendation is by Steevens.

This world to me is like a lasting storm,

1

Whirring me from my friends.

Dion. How now, Marina! why do you keep alone? How chance my daughter is not with you? Do not Consume your blood with sorrowing; you have A nurse of me. Lord! how your favor's changed With this unprofitable woe! Come, come;

Give me your wreath of flowers. Ere the sea mar it,3 Walk forth with Leonine; the air is quick there, Piercing, and sharpens well the stomach. Come; Leonine, take her by the arm, walk with her.

Mar. No, I pray you;

I'll not bereave you of your servant.

Dion.

4

Come, come;

I love the king your father, and yourself,
With more than foreign heart. We every day
Expect him here; when he shall come, and find
Our paragon to all reports,5 thus blasted,
He will repent the breadth of his great voyage;
Blame both my lord and me, that we have ta'en
No care to your best courses. Go, I pray you,
Walk, and be cheerful once again; reserve
That excellent complexion, which did steal
The eyes of young and old. Care not for me;
I can go home alone.

Mar.

But

Well, I will go;

yet I have no desire to it.
Dion. Come, come, I know 'tis good for
Walk half an hour, Leonine, at the least;
Remember what I have said.

6

you.

Leon.

I warrant you, madam.

1 Thus the earliest copy. The second quarto, and all subsequent impressions, read:

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'Hurrying me from my friends."

Whirring or whirrying had formerly the same meaning; a bird that flies with a quick motion is still said to whirr away.

2 Countenance, look.

3 i. e. ere the sea, by the coming in of the tide, mar your walk.

4 That is, with the same warmth of affection as if I was his countryman. 5 Our fair charge, whose beauty was once equal to all that fame said of it.

6 Reserve has here the force of preserve.

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