William Shakespeare: The Critical Heritage Volume 4 1753-1765Brian Vickers Routledge, 2003 M09 1 - 568 páginas The Critical Heritage gathers together a large body of critical sources on major figures in literature. Each volume presents contemporary responses to a writer's work, enabling student and researcher to read the material. |
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Página 7
... speech into syllogistic form in order to show their failings as logic, yet Smollett seems perversely unaware that Shakespeare was not trying to write syllogisms. Nor does he attempt to understand Shakespearian metaphor. Other sections ...
... speech into syllogistic form in order to show their failings as logic, yet Smollett seems perversely unaware that Shakespeare was not trying to write syllogisms. Nor does he attempt to understand Shakespearian metaphor. Other sections ...
Página 26
... produced in him without substantiating the details of gesture and speech which made up that feeling. This was the occupational hazard of Garrick's supporters, as we see from Lloyd's poem (No. 184) and dozens like it, 26 INTRODUCTION.
... produced in him without substantiating the details of gesture and speech which made up that feeling. This was the occupational hazard of Garrick's supporters, as we see from Lloyd's poem (No. 184) and dozens like it, 26 INTRODUCTION.
Página 31
... speeches. Joseph Warton does so to prove that Lear's madness is due to the loss of his royalty (No. 139), Arthur Murphy does so to argue that it is caused by his daughters' ingratitude (No. 140), Mrs Lennox does so to point up Lear's ...
... speeches. Joseph Warton does so to prove that Lear's madness is due to the loss of his royalty (No. 139), Arthur Murphy does so to argue that it is caused by his daughters' ingratitude (No. 140), Mrs Lennox does so to point up Lear's ...
Página 35
... speech when he describes it as 'a languid monotony'33) the argument is performed with confidence and skill. The second category is imagery, under which Webb expects to judge the merit of a comparison or simile 'by the degree of our ...
... speech when he describes it as 'a languid monotony'33) the argument is performed with confidence and skill. The second category is imagery, under which Webb expects to judge the merit of a comparison or simile 'by the degree of our ...
Página 38
... speech, and its cast of thought; which, though easily explained when there are many books to be compared with each other, becomes sometimes unintelligible, and always difficult, when there are no parallel passages that may conduce to ...
... speech, and its cast of thought; which, though easily explained when there are many books to be compared with each other, becomes sometimes unintelligible, and always difficult, when there are no parallel passages that may conduce to ...
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William Shakespeare: The Critical Heritage Volume 4 1753-1765 Brian Vickers Sin vista previa disponible - 2008 |
Términos y frases comunes
absurd actor adaptation admirable altered appear Arthur Murphy beauties character Cibber circumstances comedy Cordelia Coriolanus criticism Cymbeline daughters David Garrick death Dr Johnson dramatic edition English essay excellent expression eyes father faults Garrick genius give Goneril Hamlet hath heart heav’n honour Iago ideas imagination imitation Imogen Johnson judgment Juliet King Lear King’s Lady language Lear’s Leonatus Leontes Lord Macbeth madness manner Measure for Measure merit metaphor Midsummer Night’s Dream mind Murphy nature never night o’er observe Othello passage passion performed Philario piece play poet poet’s poetical poetry Pope Prince propriety Queen rage reader Review Richard Richard III Romeo Romeo and Juliet scene sense sentiments Shakespeare shew soliloquy soul speak speech spirit stage striking taste Tate Tempest theatre thee Theophilus Cibber thou thought thro Tragedy unnatural verse Veturia Warburton whole Winter’s Tale words wou’d writers