William Shakespeare: The Critical Heritage Volume 4 1753-1765Brian Vickers Routledge, 2003 M09 1 - 568 páginas The Critical Heritage gathers together a large body of critical sources on major figures in literature. Each volume presents contemporary responses to a writer's work, enabling student and researcher to read the material. |
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Página 27
... daughters, kneeling; or the mixture of emotions with which he confronted Goneril and Regan, 'ready to choke with passion'; or the moment (albeit from Tate's version) when 'tired with the fray, [he] leans against the wall'. More ...
... daughters, kneeling; or the mixture of emotions with which he confronted Goneril and Regan, 'ready to choke with passion'; or the moment (albeit from Tate's version) when 'tired with the fray, [he] leans against the wall'. More ...
Página 28
... daughters. Instead of sweeping offstage in anger Garrick collapsed 'almost lifeless, into the Arms of his Attendants', and in an unnaturally contorted posture—which contradicts the appearance of a faint—walked offstage supported, with ...
... daughters. Instead of sweeping offstage in anger Garrick collapsed 'almost lifeless, into the Arms of his Attendants', and in an unnaturally contorted posture—which contradicts the appearance of a faint—walked offstage supported, with ...
Página 31
... daughters' ingratitude (No. 140), Mrs Lennox does so to point up Lear's faults of character (No. 141). All three are making different points, but all three merely illustrate one role. No one in this period gives an adequate account of ...
... daughters' ingratitude (No. 140), Mrs Lennox does so to point up Lear's faults of character (No. 141). All three are making different points, but all three merely illustrate one role. No one in this period gives an adequate account of ...
Página 32
... daughters are finely contrasted with those of Cordelia and Edgar' (No. 140d). In reply Murphy rather grudgingly conceded that the episode 'in which the bastard acts the same unnatural part as Lear's legitimate daughters is not entirely ...
... daughters are finely contrasted with those of Cordelia and Edgar' (No. 140d). In reply Murphy rather grudgingly conceded that the episode 'in which the bastard acts the same unnatural part as Lear's legitimate daughters is not entirely ...
Página 61
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William Shakespeare: The Critical Heritage Volume 4 1753-1765 Brian Vickers Vista previa limitada - 2003 |
Términos y frases comunes
absurd actor adaptation admirable altered appear Arthur Murphy beauties character Cibber circumstances comedy Cordelia Coriolanus criticism Cymbeline daughters David Garrick death Dr Johnson dramatic edition English essay excellent expression eyes father faults Garrick genius give Goneril Hamlet hath heart heav’n honour Iago ideas imagination imitation Imogen Johnson judgment Juliet King Lear King’s Lady language Lear’s Leonatus Leontes Lord Macbeth madness manner Measure for Measure merit metaphor Midsummer Night’s Dream mind Murphy nature never night o’er observe Othello passage passion performed Philario piece play poet poet’s poetical poetry Pope Prince propriety Queen rage reader Review Richard Richard III Romeo Romeo and Juliet scene sense sentiments Shakespeare shew soliloquy soul speak speech spirit stage striking taste Tate Tempest theatre thee Theophilus Cibber thou thought thro Tragedy unnatural verse Veturia Warburton whole Winter’s Tale words wou’d writers