William Shakespeare: The Critical Heritage Volume 4 1753-1765Brian Vickers Routledge, 2003 M09 1 - 568 páginas The Critical Heritage gathers together a large body of critical sources on major figures in literature. Each volume presents contemporary responses to a writer's work, enabling student and researcher to read the material. |
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Página ix
... Coriolanus conflated with Shakespeare's, 1754 159 145 DAVID HUME, Shakespeare and Jacobean taste, 1754 171 146 DAVID GARRICK , in defence of Shakespeare musicals, 1755 175 147 JOHN GILBERT COOPER, The Tomb of Shakespeare. A Poetical ...
... Coriolanus conflated with Shakespeare's, 1754 159 145 DAVID HUME, Shakespeare and Jacobean taste, 1754 171 146 DAVID GARRICK , in defence of Shakespeare musicals, 1755 175 147 JOHN GILBERT COOPER, The Tomb of Shakespeare. A Poetical ...
Página 16
... Coriolanus with Shakespeare's on the grounds that 'Shakespeare's play was purely historical, and had little or no plot' (No. 144)—that is, it seemed to his eyes to be merely a succession of incidents with no design. Another tragedy that ...
... Coriolanus with Shakespeare's on the grounds that 'Shakespeare's play was purely historical, and had little or no plot' (No. 144)—that is, it seemed to his eyes to be merely a succession of incidents with no design. Another tragedy that ...
Página 21
... Coriolanus from Arthur Murphy for pounding together 'two things so heterogeneous', resulting in a 'fantastical mixture' (No. 170c), and from Benjamin Victor in 1761 (No. 188). Theophilus Cibber, reviewing the production in the Monthly ...
... Coriolanus from Arthur Murphy for pounding together 'two things so heterogeneous', resulting in a 'fantastical mixture' (No. 170c), and from Benjamin Victor in 1761 (No. 188). Theophilus Cibber, reviewing the production in the Monthly ...
Página 33
... . In defining some characteristics in Shakespeare's style it is significant that Hurd takes many of his examples from the late plays—Cymbeline, Antony and Cleopatra, Coriolanus—where Shakespeare is at his most inventive and 33 INTRODUCTION.
... . In defining some characteristics in Shakespeare's style it is significant that Hurd takes many of his examples from the late plays—Cymbeline, Antony and Cleopatra, Coriolanus—where Shakespeare is at his most inventive and 33 INTRODUCTION.
Página 34
The Critical Heritage Volume 4 1753-1765 Brian Vickers. and Cleopatra, Coriolanus—where Shakespeare is at his most inventive and idiosyncratic. The direction of Hurd's work is analytical, but it clearly implies that these innovations in ...
The Critical Heritage Volume 4 1753-1765 Brian Vickers. and Cleopatra, Coriolanus—where Shakespeare is at his most inventive and idiosyncratic. The direction of Hurd's work is analytical, but it clearly implies that these innovations in ...
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Términos y frases comunes
absurd actor adaptation admirable altered appear Arthur Murphy beauties character Cibber circumstances comedy Cordelia Coriolanus criticism Cymbeline daughters David Garrick death Dr Johnson dramatic edition English essay excellent expression eyes father faults Garrick genius give Goneril Hamlet hath heart heav’n honour Iago ideas imagination imitation Imogen Johnson judgment Juliet King Lear King’s Lady language Lear’s Leonatus Leontes Lord Macbeth madness manner Measure for Measure merit metaphor Midsummer Night’s Dream mind Murphy nature never night o’er observe Othello passage passion performed Philario piece play poet poet’s poetical poetry Pope Prince propriety Queen rage reader Review Richard Richard III Romeo Romeo and Juliet scene sense sentiments Shakespeare shew soliloquy soul speak speech spirit stage striking taste Tate Tempest theatre thee Theophilus Cibber thou thought thro Tragedy unnatural verse Veturia Warburton whole Winter’s Tale words wou’d writers