From Faust to Strangelove: Representations of the Scientist in Western LiteratureJohns Hopkins University Press, 1994 - 417 páginas They were mad, of course. Or evil. Or godless, amoral, arrogant, impersonal, and inhuman. At best, they were well-intentioned but blind to the dangers of forces they barely controlled. They were Faust and Frankenstein, Jekyll and Moreau, Caligari and Strangelove--the scientists of film and fiction, cultural archetypes that reflected ancient fears of tampering with the unknown or unleashing the little-understood powers of nature. In From Faust to Strangelove Roslyn Haynes offers the first detailed and comprehensive study of the image of the scientist in Western literature and film--from medieval images of alchemists to present-day depictions of cyberpunks and genetic engineers. |
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Página 112
... scientific friends from London and the local doctor Gibson , who also finds time to contribute to scientific medical journals . Gaskell is thus the first to show the bond of scientific interest as a social leveler , for there were few ...
... scientific friends from London and the local doctor Gibson , who also finds time to contribute to scientific medical journals . Gaskell is thus the first to show the bond of scientific interest as a social leveler , for there were few ...
Página 126
... scientific background . A similar but more reprehensible character is Dr. Edred Fitzpiers , of Hardy's novel The Woodlanders ( 1887 ) , a scientific character as cold and amoral as any of Hawthorne's scientists . Although he has set up ...
... scientific background . A similar but more reprehensible character is Dr. Edred Fitzpiers , of Hardy's novel The Woodlanders ( 1887 ) , a scientific character as cold and amoral as any of Hawthorne's scientists . Although he has set up ...
Página 140
... scientific mind is not to be tied down by its own conditions of time and space . . . . As to death , the scientific mind dies at its post working in normal and methodic fashion to the end . It disregards so petty a thing as its own ...
... scientific mind is not to be tied down by its own conditions of time and space . . . . As to death , the scientific mind dies at its post working in normal and methodic fashion to the end . It disregards so petty a thing as its own ...
Contenido
Evil Alchemists and Doctor Faustus | 9 |
Bacons New Scientists | 23 |
Foolish Virtuosi | 35 |
Derechos de autor | |
Otras 13 secciones no mostradas
Otras ediciones - Ver todas
From Faust to Strangelove: Representations of the Scientist in Western ... Roslynn Doris Haynes Vista de fragmentos - 1994 |
From Faust to Strangelove: Representations of the Scientist in Western ... Roslynn Doris Haynes,Roslynn Haynes Sin vista previa disponible - 1994 |
Términos y frases comunes
alchemists alchemy American amoral arrogance astronomer atomic bomb attitude Bacon become believed biologist C. P. Snow Cambridge century chapter complex contemporary creator dangerous Darwin death depicted Der Sandmann destruction discovered discovery Doctor Earth effect emotional ethical experiment explore Faust figure film Francis Bacon Frankenstein Galileo German hero human Huxley ibid ideal ideas individual intellectual interesting involved Isaac Newton knowledge literary literature London Lydgate machine Mary Shelley mathematical mathematician mechanical mechanistic Middlemarch Monster moral Moreau nature nineteenth-century novel nuclear obsession Oppenheimer philosophers physical physicist planet play poem political popular protagonist rational regarded represents responsibility Robert Robert Oppenheimer robots role Romantic Royal Society satire Science Fiction Science Fiction Studies scientific scientist characters scientists social Stanislaw Lem stereotype story suggests symbol T. H. Huxley theory tion tists truth twentieth-century University Press utopia Verne's Victorian virtuosi weapons Wells's writers York