From Faust to Strangelove: Representations of the Scientist in Western Literature
They were mad, of course. Or evil. Or godless, amoral, arrogant, impersonal, and inhuman. At best, they were well-intentioned but blind to the dangers of forces they barely controlled. They were Faust and Frankenstein, Jekyll and Moreau, Caligari and Strangelove--the scientists of film and fiction, cultural archetypes that reflected ancient fears of tampering with the unknown or unleashing the little-understood powers of nature.
In From Faust to Strangelove Roslyn Haynes offers the first detailed and comprehensive study of the image of the scientist in Western literature and film--from medieval images of alchemists to present-day depictions of cyberpunks and genetic engineers.
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Second , her chief purpose , as outlined in her preface , is to explore the ethical
consequences of the success of Frankenstein ' s experiment . In scientific terms ,
the creation of the Monster is a brilliant achievement ; yet Frankenstein ' s horror ...
Rehberg ' s play Johannes Keppler ( 1933 ) , Brecht ' s Das Experiment ( 1939 ) ,
“ Der Mantel des Ketzers " ( 1939 ) , and Leben des Galilei ( 1938 - 39 ) , Brod ' s
novel Galilei in Gefangenschaft ( 1948 ) , and Zwillinger ' s play Galileo Galilei ...
Several scientists in Europe who tried to repeat his experiment were electrocuted
; however , the experiment led to the use ... Ohm ' s experiments on the flow of
current through a wire were conducted between 1825 and 1840 , and Faraday ' s
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The Scientist under Scrutiny
The Scientist as Hero
The Impersonal Scientist
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Technoscience And Everyday Life: The Complex Simplicities of the Mundane
Vista previa limitada - 2006