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" Beauty — a living Presence of the earth, Surpassing the most fair ideal Forms Which craft of delicate Spirits hath composed From earth's materials — waits upon my steps ; Pitches her tents before me as I move, An hourly neighbour. "
The Excursion: A Poem - Página xiii
por William Wordsworth - 1841 - 374 páginas
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The Eclectic Review, Volumen3;Volumen21

Samuel Greatheed, Daniel Parken, Theophilus Williams, Josiah Conder, Thomas Price, Jonathan Edwards Ryland, Edwin Paxton Hood - 1815
...introduction, ' Beauty, — a living Presence of the earth, Surpassing the inort fair ideal Forms, Which craft of delicate Spirits hath composed From earth's materials — waits upon my steps ; Fitches her tents before me as I move, An hourly neighbour. Paradise, and groves Elysian, Fortunate...
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The Philanthropist, Or, Repository for Hints and Suggestions ..., Volumen5

1815
...presence of the Earth Surpassing the most fair ideal forms Which craft of delicate spirits hath compos'd From Earth's materials — waits upon my steps ; Pitches her tents before me, as 1 move An hourly neighbour. — Paradise and groves Elysian, Fortunate Fields like those of old ; Sought...
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Blackwood's Magazine, Volumen44

1838
...my song. — Beauty — a living presence of the earth, Surpassing the most fair ideal forms Which craft of delicate spirits hath composed From earth's materials — waits upon my steps ; Pilches her tents before me as I move, An hourly neighbour. Paradise, and groves Elysian, Fortunate...
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Select Works of the British Poets: In a Chronological Series from Falconer ...

John Aikin, John Frost - 1838 - 732 páginas
...my song. — Beauty — a living presence of the earth, Surpassing the mott fair ideal forms Which craft of delicate spirits hath composed From earth's...; Pitches her tents before me as I move. An hourly neighhour. Paradise, and groves Elysian, fortunate fields — like those of old Sought in th' Atlantic...
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Blackwood's Edinburgh Magazine, Volumen7

1838
...my song. — Beauty — a living presence of the earth, Surpassing the most fair ideal forms Which craft of delicate spirits hath composed From earth's...; Pitches her tents before me as I move, An hourly neighbor. Paradise, and groves Elysian, Fortunate Fields — like those of old Sought in the Atlantic...
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Select Works of the British Poets, in a Chronological Series from Falconer ...

John Aikin - 1838 - 732 páginas
...song. —Beauty — a living presence of the eaith, 41C 4I7 Surpassing the most fair ideal forms Which away, A human heing hefore me as I move, An hourly neighhour. Paradise, and groves Elysian, fortunate fields — like those...
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Select Works of the British Poets: In a Chronological Series from Falconer ...

John Aikin - 1838 - 732 páginas
...most fair ideal forms Which craft of delicate spirits hath composed From earth's materials—waits upon my steps ; Pitches her tents before me as I move. An hourly neighhour. Paradise, and groves Klj-im, fortunate fields—like those of old Sought in th' Atlantic...
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The New-York Review, Volumen4

1839
...fragment : " — Beauty — a Living Presence of the earth, Surpassing the most fair ideal Forms Which craft of delicate Spirits hath composed From earth's...; Pitches her tents before me as I move, An hourly neighbor. Paradise, and groves Elysian, Fortunate Fields — like those of old Sought in the Atlantic...
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The New-York Review, Volumen4;Volúmenes7-8

Caleb Sprague Henry, Joseph Green Cogswell - 1839
...earth's materials — waits upon my steps ; Pitches her tents before me as I move, An hourly neighbor. Paradise, and groves Elysian, Fortunate Fields — like those of old Sought in the Atlantic Main — wby should they be A history only of departed things, Or a mere fiction of what never was ? For...
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The North American Review, Volumen59

Jared Sparks, Edward Everett, James Russell Lowell, Henry Cabot Lodge - 1844
...beautiful. " Beauty — a living Presence of the earth, Surpassing the most fair ideal forms Which craft of delicate spirits hath composed From earth's...waits upon my steps, Pitches her tents before me as I mote, An hourly neighbour." VOL. LIX. NO. 125. 32 We perceive throughout Wordsworth a kind of unconscious...
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