Prefaces. The tempest. The two gentlemen of Verona. The merry wives of Windsor.- v.2. Measure for measure. Comedy of errors. Much ado about nothing. Love's labour lost.- v.3. Midsummer night's dream. Merchant of Venice. As you like it. Taming the shrew.- v.4. All's well that ends well. Twelfth night. Winter's tale. Macbeth.- v.5 King John. King Richrd II. King Henry IV, parts I-II.- v.6. King Henry V. King Henry VI, parts I-III.- v.7 King Richard III. King Henry VIII. Coriolanus.- v.8. Julius Cæsar. Anthony and Cleopatra. Timon of Athens. Titus Andronicus.- v. 9. Troilus and Cressida. Cymbeline. King Lear.- v. 10. Romeo and Juliet. Hamlet. Othello |
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Página 14
... of the original masters of our language . TE t DE ( t t t a t These observations
are to be considered not as unexceptionably constant , but as containing general
and predominant truth . Shakespeare's familiar dialogue is affirmed to be smooth
...
... of the original masters of our language . TE t DE ( t t t a t These observations
are to be considered not as unexceptionably constant , but as containing general
and predominant truth . Shakespeare's familiar dialogue is affirmed to be smooth
...
Página 23
... when we only see their imitation . It will be asked , how the drama moves , if it is
not credited . It is credited with all the credit due to a drama . It is credited ,
whenever it moves , as a just [ B 4 ) picture 2 picture of a real original ; as
representing ...
... when we only see their imitation . It will be asked , how the drama moves , if it is
not credited . It is credited with all the credit due to a drama . It is credited ,
whenever it moves , as a just [ B 4 ) picture 2 picture of a real original ; as
representing ...
Página 24
2 picture of a real original ; as representing to the au . ditor what he would himself
feel , if he were to do or suffer what is there feigned to be suffered or to be done .
The reflection that strikes the heart is not , that the evils before us are real evils ...
2 picture of a real original ; as representing to the au . ditor what he would himself
feel , if he were to do or suffer what is there feigned to be suffered or to be done .
The reflection that strikes the heart is not , that the evils before us are real evils ...
Página 27
... as well as to survey the workmanship , to know how much is to be ascribed to
original powers , and how much to casual and adventitious help . The palaces of
Peru or Mexico were certainly mean and incommodious habitations , if compared
...
... as well as to survey the workmanship , to know how much is to be ascribed to
original powers , and how much to casual and adventitious help . The palaces of
Peru or Mexico were certainly mean and incommodious habitations , if compared
...
Página 30
... all but Homer in securing the first purpose of a writer , by exciting restless and
unquenchable curiosity , and compelling him that reads his work to read it
through The shows and bustle with which his plays abound have the same
original .
... all but Homer in securing the first purpose of a writer , by exciting restless and
unquenchable curiosity , and compelling him that reads his work to read it
through The shows and bustle with which his plays abound have the same
original .
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