Prefaces. The tempest. The two gentlemen of Verona. The merry wives of Windsor.- v.2. Measure for measure. Comedy of errors. Much ado about nothing. Love's labour lost.- v.3. Midsummer night's dream. Merchant of Venice. As you like it. Taming the shrew.- v.4. All's well that ends well. Twelfth night. Winter's tale. Macbeth.- v.5 King John. King Richrd II. King Henry IV, parts I-II.- v.6. King Henry V. King Henry VI, parts I-III.- v.7 King Richard III. King Henry VIII. Coriolanus.- v.8. Julius Cæsar. Anthony and Cleopatra. Timon of Athens. Titus Andronicus.- v. 9. Troilus and Cressida. Cymbeline. King Lear.- v. 10. Romeo and Juliet. Hamlet. Othello |
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Página 9
Thus rose the two modes of imitation , known by the names of tragedy and
comedy , compositions intended to promote different ends by contrary means ,
and considered as fo little allied , that I do not recollect among the Greeks or
Romans a ...
Thus rose the two modes of imitation , known by the names of tragedy and
comedy , compositions intended to promote different ends by contrary means ,
and considered as fo little allied , that I do not recollect among the Greeks or
Romans a ...
Página 10
That the mingled drama may convey all the instruction of tragedy or comedy
cannot be denied , because it includes both in its alterations of exhibition , and
approaches nearer than either to the appearance of life , by shewing how great ...
That the mingled drama may convey all the instruction of tragedy or comedy
cannot be denied , because it includes both in its alterations of exhibition , and
approaches nearer than either to the appearance of life , by shewing how great ...
Página 11
An action which ended happily to the principal persons , however serious or
distressful through its intermediate incidents , in their opinion constituted a
comedy . This idea of a comedy continued long aniongst us , and plays were
written ...
An action which ended happily to the principal persons , however serious or
distressful through its intermediate incidents , in their opinion constituted a
comedy . This idea of a comedy continued long aniongst us , and plays were
written ...
Página 12
... no example of such fame as might force him upon imitation , nor criticks of such
authority as might restrain his extravagance : he therefore indulged his natural
disposition , and his difpofition , as Rhymer has remarked , led him to comedy .
... no example of such fame as might force him upon imitation , nor criticks of such
authority as might restrain his extravagance : he therefore indulged his natural
disposition , and his difpofition , as Rhymer has remarked , led him to comedy .
Página 13
In tragedy he is always struggling after some occasion to be comick , but in
comedy he seems to repose , or to luxuriate , as in a mode of thinking congenial
to his nature . In his tragick scenes there is always something wanting , but his
comedy ...
In tragedy he is always struggling after some occasion to be comick , but in
comedy he seems to repose , or to luxuriate , as in a mode of thinking congenial
to his nature . In his tragick scenes there is always something wanting , but his
comedy ...
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