Prefaces. The tempest. The two gentlemen of Verona. The merry wives of Windsor.- v.2. Measure for measure. Comedy of errors. Much ado about nothing. Love's labour lost.- v.3. Midsummer night's dream. Merchant of Venice. As you like it. Taming the shrew.- v.4. All's well that ends well. Twelfth night. Winter's tale. Macbeth.- v.5 King John. King Richrd II. King Henry IV, parts I-II.- v.6. King Henry V. King Henry VI, parts I-III.- v.7 King Richard III. King Henry VIII. Coriolanus.- v.8. Julius Cæsar. Anthony and Cleopatra. Timon of Athens. Titus Andronicus.- v. 9. Troilus and Cressida. Cymbeline. King Lear.- v. 10. Romeo and Juliet. Hamlet. OthelloC. Bathurst, 1778 |
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Página 217
... STEEVENS . Lylly wrote nine plays during the reign of Q. Eliz . viz . Alex- ander and Campafpe , T. C ; Endymion , C ; Galatea , C ; Love bis Metamorphofis , Dram . Paft ; Maid her Metamorphofis , C ; Mo- ther Bombie , C ; Mydas , C ...
... STEEVENS . Lylly wrote nine plays during the reign of Q. Eliz . viz . Alex- ander and Campafpe , T. C ; Endymion , C ; Galatea , C ; Love bis Metamorphofis , Dram . Paft ; Maid her Metamorphofis , C ; Mo- ther Bombie , C ; Mydas , C ...
Página 218
... STEEVENS . S or Marlow's mighty line . ] Marlow was a performer as well as an author . His contemporary Heywood calls him the best of poets . He wrote fix tragedies , viz . Dr. Fauftus's Tragical Hiftory ; K. Edward II ; Jew of Malta ...
... STEEVENS . S or Marlow's mighty line . ] Marlow was a performer as well as an author . His contemporary Heywood calls him the best of poets . He wrote fix tragedies , viz . Dr. Fauftus's Tragical Hiftory ; K. Edward II ; Jew of Malta ...
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... STEEVENS . 325. In the first line of Steevens's note on Macbeth , dele the full point , and substitute a comma . Plays . 4. At the end of Note 1. for act III . read a & IV . 23. Note 5. and five lines from the bottom , for loft , read ...
... STEEVENS . 325. In the first line of Steevens's note on Macbeth , dele the full point , and substitute a comma . Plays . 4. At the end of Note 1. for act III . read a & IV . 23. Note 5. and five lines from the bottom , for loft , read ...
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... STEEVENS . 425. Text , line 4. from the bottom , for , roated , read , roted . 452. Text , line 2. for , whoop'd out Rome , read , whoop'd out of Rome . VOL . VIII . 81. Text , line 1. for , have no will , read , I have no will . 182 ...
... STEEVENS . 425. Text , line 4. from the bottom , for , roated , read , roted . 452. Text , line 2. for , whoop'd out Rome , read , whoop'd out of Rome . VOL . VIII . 81. Text , line 1. for , have no will , read , I have no will . 182 ...
Página 4
... STEEVENS , 2 In this naval dialogue , perhaps the first example of failor's language exhibited on the ftage , there are , as I have been told by a skilful navigator , fome inaccuracies and contradictory or- ders . JOHNSON . - ] 3 - fall ...
... STEEVENS , 2 In this naval dialogue , perhaps the first example of failor's language exhibited on the ftage , there are , as I have been told by a skilful navigator , fome inaccuracies and contradictory or- ders . JOHNSON . - ] 3 - fall ...
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Términos y frases comunes
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