Tragic Plots: A New Reading from Aeschylus to LorcaRoutledge, 2018 M02 6 - 256 páginas This title was first published in 2000. This book offers a wide-ranging account of tragic drama from the Greeks to Arthur Miller. It puts forward a bold and vigorously developed argument about the recurrent concerns of tragedy, and proposes to uncover the archetypal tragic plot that emerges at key points of historical transition. It traces this plot through fascinatingly diverse formations on Athens, Renaissance England and the modern world, and offers detailed analysis of over twenty plays. The needs of the first-time reader are not forgotten, while challenging new light is thrown on each period. There is substantial discussion of Aeschylus, Sophocles, Euripedes, Marlowe, Shakespeare, Ibsen, Strindberg, Chekhov, Lorca and Miller, along with briefer consideration of the Senecan tradition, Yeats, Synge, O’Neill and T.S. Eliot. Felicity Rosslyn asks why tragic plays get written when they do, and why they so often dramatise the struggle to break the ties of blood for the bonds of law. |
Dentro del libro
Resultados 1-5 de 44
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... female point of view. He would have disagreed with many of my conclusions, but I hope he would have assented to my search for the 'truly human' position somewhere between the two. The University of Leicester allowed me to set up my own ...
... female point of view. He would have disagreed with many of my conclusions, but I hope he would have assented to my search for the 'truly human' position somewhere between the two. The University of Leicester allowed me to set up my own ...
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... female of the species . It is true that all the plays under discussion were written by men and may therefore represent a kind of special pleading ; but the correlation between these plots and the findings of developmental psychology.
... female of the species . It is true that all the plays under discussion were written by men and may therefore represent a kind of special pleading ; but the correlation between these plots and the findings of developmental psychology.
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... female values into the sharpest conflict. In the second play, the Libation Bearers, the conflict is expressed in the confrontation of Orestes with his guilty mother, and the tug-of-war between all the reasons for punishing her and for ...
... female values into the sharpest conflict. In the second play, the Libation Bearers, the conflict is expressed in the confrontation of Orestes with his guilty mother, and the tug-of-war between all the reasons for punishing her and for ...
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... female defect : intent on their private lives , women follow their fate through a darkness as deep as that cast by malformed cells in the brain . It is no worse than the male defect , which is lunacy : they are so obsessed by public ...
... female defect : intent on their private lives , women follow their fate through a darkness as deep as that cast by malformed cells in the brain . It is no worse than the male defect , which is lunacy : they are so obsessed by public ...
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... female position that cannot locate the father anywhere on its map; he may once have had a function, but the significance of it is quite forgotten. She does not remember that Iphigenia was Agamemnon's daughter as well as her own, or that ...
... female position that cannot locate the father anywhere on its map; he may once have had a function, but the significance of it is quite forgotten. She does not remember that Iphigenia was Agamemnon's daughter as well as her own, or that ...
Contenido
Euripides | |
Revenge and the Machiavel | |
Shakespeare | |
Ibsen and Strindberg | |
Lorca | |
Tragedy and the Historical Moment | |
Otras ediciones - Ver todas
Tragic Plots: A New Reading from Aeschylus to Lorca Felicity Rosslyn Sin vista previa disponible - 2017 |
Tragic Plots: A New Reading from Aeschylus to Lorca Felicity Rosslyn Sin vista previa disponible - 2019 |
Términos y frases comunes
Aegisthus Aeschylus Agamemnon Allmers Antigone Aphrodite Apollo Apollonian Athenian Athens audience Bacchae Bacchants becomes Bernarda blood body bonds brings Cambridge characters Chekhov child classical Clytaemnestra consciousness Coriolanus Creon crime daughters dead death Desdemona Dionysiac Dionysus drama earth Electra Eumenides Euripides Eyolf father Faustus fear Federico García Lorca feel female Furies Gayev Ghosts gives goddess gods Greek Tragedies Hamlet hero heroic Hippolytus honour horror human husband Iago Ibsen incest issue justice killed kind king Lear Little Eyolf live London Lorca Macbeth Machiavel male Marlowe marriage masculine Medea mother murder nature never Nora Oedipus Oresteia Orestes Othello Oxford passion Pentheus perhaps Phaedra play plot polis punishment repr revenge Rita says scene seems sense sexual Shakespeare shows Sophocles Strindberg Synge T.S. Eliot takes tell terrible Thebes things tragic trans truth University Press wife woman women Yerma Zeus