Literary Criticism in England, 1660-1800Gerald Wester Chapman Knopf, 1966 - 618 páginas |
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Página 210
... taste , " within his selected materials , but his form will be truth - revealing and beautiful only as he has cultivated a taste for perfection by philosophy . " " Tis we ourselves create and form our taste . " His Advice to an Author ...
... taste , " within his selected materials , but his form will be truth - revealing and beautiful only as he has cultivated a taste for perfection by philosophy . " " Tis we ourselves create and form our taste . " His Advice to an Author ...
Página 317
... taste , of such a taste , at least , as can be of use in the fine arts . This consideration bars the greater part of mankind , and of the remaining part , many by a corrupted taste are unqualified for voting . The common sense of ...
... taste , of such a taste , at least , as can be of use in the fine arts . This consideration bars the greater part of mankind , and of the remaining part , many by a corrupted taste are unqualified for voting . The common sense of ...
Página 341
... taste were a sepa- rate faculty of the mind and distinct from the judgment and imagi- nation — a species of instinct ... taste differs from the worst , I am convinced that the understanding operates and nothing else ; and its operation ...
... taste were a sepa- rate faculty of the mind and distinct from the judgment and imagi- nation — a species of instinct ... taste differs from the worst , I am convinced that the understanding operates and nothing else ; and its operation ...
Contenido
INTRODUCTION | 3 |
John Locke | 29 |
JOHN DRYDEN 16311700 | 37 |
Derechos de autor | |
Otras 25 secciones no mostradas
Otras ediciones - Ver todas
Términos y frases comunes
action Addison admiration Aeneid ancient appear Aristotle beauty Ben Jonson called character comedy common composition considered criticism delight discourse dramatic Dryden Dunciad effect eighteenth century emotion endeavor English epic epic poetry Essay Essay on Criticism excellence expression fancy fiction French genius give Gondibert heroic Homer Horace Hudibras human humor ideas Iliad images imagination imitation invention Johnson Joseph Warton judgment Juvenal kind knowledge labor language learning living mankind manner means Milton mind modern moral nature neoclassic neoclassicism never numbers objects observed opinion original Othello Ovid painting Paradise Lost particular passions perfect perhaps persons philosophers play pleasing pleasure poem poesy poet poetical poetry Pope Preface principles produce prose qualities reader reason rhyme ridiculous rules satire scenes sense sentiments Shakespeare sometimes spirit sublime taste things thought tion tragedy true truth verse Virgil virtue words writing