Literary Criticism in England, 1660-1800Gerald Wester Chapman Knopf, 1966 - 618 páginas |
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Página 91
... never find the audience fa- vorable to this kind of writing [ rhymed drama ] till we could pro- duce as good plays ... never equal them , but they could never equal themselves were they to rise and write again . We acknowledge them our ...
... never find the audience fa- vorable to this kind of writing [ rhymed drama ] till we could pro- duce as good plays ... never equal them , but they could never equal themselves were they to rise and write again . We acknowledge them our ...
Página 478
... never before so well expressed , 2 they certainly never attained nor ever sought it , for they endeavored to be singu- lar in their thoughts , and were careless of their diction . But Pope's account of wit is undoubtedly erroneous ; he ...
... never before so well expressed , 2 they certainly never attained nor ever sought it , for they endeavored to be singu- lar in their thoughts , and were careless of their diction . But Pope's account of wit is undoubtedly erroneous ; he ...
Página 512
... never found an opportunity to gratify it , did not leave him till his life declined . Of his intellectual character the constituent and fundamental principle was good sense , a prompt and intuitive perception of consonance and propriety ...
... never found an opportunity to gratify it , did not leave him till his life declined . Of his intellectual character the constituent and fundamental principle was good sense , a prompt and intuitive perception of consonance and propriety ...
Contenido
INTRODUCTION | 3 |
John Locke | 29 |
JOHN DRYDEN 16311700 | 37 |
Derechos de autor | |
Otras 25 secciones no mostradas
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Términos y frases comunes
action Addison admiration Aeneid ancient appear Aristotle beauty Ben Jonson called character comedy common composition considered criticism delight discourse dramatic Dryden Dunciad effect eighteenth century emotion endeavor English epic epic poetry Essay Essay on Criticism excellence expression fancy fiction French genius give Gondibert heroic Homer Horace Hudibras human humor ideas Iliad images imagination imitation invention Johnson Joseph Warton judgment Juvenal kind knowledge labor language learning living mankind manner means Milton mind modern moral nature neoclassic neoclassicism never numbers objects observed opinion original Othello Ovid painting Paradise Lost particular passions perfect perhaps persons philosophers play pleasing pleasure poem poesy poet poetical poetry Pope Preface principles produce prose qualities reader reason rhyme ridiculous rules satire scenes sense sentiments Shakespeare sometimes spirit sublime taste things thought tion tragedy true truth verse Virgil virtue words writing