Literary Criticism in England, 1660-1800Gerald Wester Chapman Knopf, 1966 - 618 páginas |
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Página 175
... character of the person speak- ing , [ as it ] may be surprisingly and pleasantly , is mistaken for a character of humor , which indeed is a character of wit . But there is a great difference between a comedy wherein there are many ...
... character of the person speak- ing , [ as it ] may be surprisingly and pleasantly , is mistaken for a character of humor , which indeed is a character of wit . But there is a great difference between a comedy wherein there are many ...
Página 178
... character of Sir John Daw in the same play is a character of affectation . He everywhere discovers an affectation of learning , when he is not only conscious to himself , but the audience also plainly perceives that he is ignorant . Of ...
... character of Sir John Daw in the same play is a character of affectation . He everywhere discovers an affectation of learning , when he is not only conscious to himself , but the audience also plainly perceives that he is ignorant . Of ...
Página 565
... character ; but the sense we have been speaking of proceeds in a contrary course , and determines of actions from certain first principles of character which seem wholly out of the reach of the understanding . We can- not indeed do ...
... character ; but the sense we have been speaking of proceeds in a contrary course , and determines of actions from certain first principles of character which seem wholly out of the reach of the understanding . We can- not indeed do ...
Contenido
INTRODUCTION | 3 |
John Locke | 29 |
JOHN DRYDEN 16311700 | 37 |
Derechos de autor | |
Otras 25 secciones no mostradas
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Términos y frases comunes
action Addison admiration Aeneid ancient appear Aristotle beauty Ben Jonson called character comedy common composition considered criticism delight discourse dramatic Dryden Dunciad effect eighteenth century emotion endeavor English epic epic poetry Essay Essay on Criticism excellence expression fancy fiction French genius give Gondibert heroic Homer Horace Hudibras human humor ideas Iliad images imagination imitation invention Johnson Joseph Warton judgment Juvenal kind knowledge labor language learning living mankind manner means Milton mind modern moral nature neoclassic neoclassicism never numbers objects observed opinion original Othello Ovid painting Paradise Lost particular passions perfect perhaps persons philosophers play pleasing pleasure poem poesy poet poetical poetry Pope Preface principles produce prose qualities reader reason rhyme ridiculous rules satire scenes sense sentiments Shakespeare sometimes spirit sublime taste things thought tion tragedy true truth verse Virgil virtue words writing