Literary Criticism in England, 1660-1800Gerald Wester Chapman Knopf, 1966 - 618 páginas |
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Página 53
... action . " The unity of time they comprehend in twenty - four hours , the compass of a natural day , or as near as it can be contrived ; and the reason of it is obvious to everyone - that the time of the feigned action or fable of the ...
... action . " The unity of time they comprehend in twenty - four hours , the compass of a natural day , or as near as it can be contrived ; and the reason of it is obvious to everyone - that the time of the feigned action or fable of the ...
Página 55
... action , says Corneille , that is , one complete action , which leaves the mind of the audience in a full repose ; but this cannot be brought to pass but by many other imperfect actions which conduce to it , and hold the audience in a ...
... action , says Corneille , that is , one complete action , which leaves the mind of the audience in a full repose ; but this cannot be brought to pass but by many other imperfect actions which conduce to it , and hold the audience in a ...
Página 72
... action are more fit to be represented , some to be related . Corneille says judiciously that the poet is not obliged to expose to view all particular actions which conduce to the prin- cipal : he ought to select such of them to be seen ...
... action are more fit to be represented , some to be related . Corneille says judiciously that the poet is not obliged to expose to view all particular actions which conduce to the prin- cipal : he ought to select such of them to be seen ...
Contenido
INTRODUCTION | 3 |
John Locke | 29 |
JOHN DRYDEN 16311700 | 37 |
Derechos de autor | |
Otras 25 secciones no mostradas
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Términos y frases comunes
action Addison admiration Aeneid ancient appear Aristotle beauty Ben Jonson called character comedy common composition considered criticism delight discourse dramatic Dryden Dunciad effect eighteenth century emotion endeavor English epic epic poetry Essay Essay on Criticism excellence expression fancy fiction French genius give Gondibert heroic Homer Horace Hudibras human humor ideas Iliad images imagination imitation invention Johnson Joseph Warton judgment Juvenal kind knowledge labor language learning living mankind manner means Milton mind modern moral nature neoclassic neoclassicism never numbers objects observed opinion original Othello Ovid painting Paradise Lost particular passions perfect perhaps persons philosophers play pleasing pleasure poem poesy poet poetical poetry Pope Preface principles produce prose qualities reader reason rhyme ridiculous rules satire scenes sense sentiments Shakespeare sometimes spirit sublime taste things thought tion tragedy true truth verse Virgil virtue words writing