Shakespeare's Speaking Pictures: Studies in Iconic ImageryUniversity of New Mexico Press, 1974 - 236 páginas |
Dentro del libro
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Página 82
... speeches and poems in the Renaissance seem morbid to moderns , who feel that the healthy attitude is to think about the subject not at all , but this speech would be regarded as morbid by even Shakespeare's audience . Richard is ...
... speeches and poems in the Renaissance seem morbid to moderns , who feel that the healthy attitude is to think about the subject not at all , but this speech would be regarded as morbid by even Shakespeare's audience . Richard is ...
Página 168
... speech delivered by Kate on the subject of female submission . This speech has the explicitly didactic effect of God's words at the end of The Castle of Perseverance or the Doctor's message at the end of Everyman , yet Kate's frame of ...
... speech delivered by Kate on the subject of female submission . This speech has the explicitly didactic effect of God's words at the end of The Castle of Perseverance or the Doctor's message at the end of Everyman , yet Kate's frame of ...
Página 181
... speech helps to shift the focus of the audience to someone new as the dying one , even though Othello has not yet begun to die physically . Finally , and perhaps this overlaps with the second effect , the speech sums up symbolically ...
... speech helps to shift the focus of the audience to someone new as the dying one , even though Othello has not yet begun to die physically . Finally , and perhaps this overlaps with the second effect , the speech sums up symbolically ...
Términos y frases comunes
allegorical Alonso Antaeus Antonio appearance Ariel banquet Banquo's Bassanio Bolingbroke casket Castle cauldron century Christ Christian cited classical Claudius commonplace context conventional critical dagger death defeat deposition scene despair devil divine dramatic dying E. M. W. Tillyard earlier Elizabethan emblem books emblematic England English especially fall famous fate Flint Castle Folger Shakespeare Library Fortune God's Hamlet harpy hath hell Hercules iconic stage image iconography illustrated instance Jesse Tree justice king King Lear Lear literal literature London Macbeth Macduff masque medieval meditation Merchant of Venice mercy mirror moriendi mousetrap murder mystery Neoplatonic Orlando Othello painting paradox parallel Photo Plate play popular Portia Prospero religious Renaissance Renaissance Drama Renaissance iconography Richard Richard II sense Shakespeare Quarterly Shakespeare's audience Shylock Sins soul speech spiritual stage imagery Studies suggested suicide symbolic Tempest temptations theme theological tradition Tragedy Tudor verbal virtue visual witches woodcut York