Philological tracts, &cF. C. and J. Rivington, 1823 |
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Página 3
... proper toil of art- less industry ; a task that requires neither the light of learning , nor the activity of genius , but may be successfully performed without any higher quality than that of bearing burthens with dull patience , and ...
... proper toil of art- less industry ; a task that requires neither the light of learning , nor the activity of genius , but may be successfully performed without any higher quality than that of bearing burthens with dull patience , and ...
Página 9
... proper to print those which are incorporated into the language in the usual character , and those which are still to be considered as foreign , in the italick letter . Another question may arise with regard to appel- latives , or the ...
... proper to print those which are incorporated into the language in the usual character , and those which are still to be considered as foreign , in the italick letter . Another question may arise with regard to appel- latives , or the ...
Página 10
... proper to omit them , since it is rather to be wished that many readers should find more than they expect , than that one should miss what he might hope to find . When all the words are selected and arranged , the first part of the work ...
... proper to omit them , since it is rather to be wished that many readers should find more than they expect , than that one should miss what he might hope to find . When all the words are selected and arranged , the first part of the work ...
Página 11
... ferrum , or fer ; in gibberish , for gebrish , the jargon of Geber , and his chymical followers , understood by none but their own tribe . It will be likewise sometimes proper to trace back the orthography AN ENGLISH DICTIONARY . 11.
... ferrum , or fer ; in gibberish , for gebrish , the jargon of Geber , and his chymical followers , understood by none but their own tribe . It will be likewise sometimes proper to trace back the orthography AN ENGLISH DICTIONARY . 11.
Página 12
... proper authorities , as it is one of those capricious phænomena which cannot be easily reduced to rules . Thus there is no antecedent reason for difference of accent in the words dolorous and sono- rous ; yet of the one Milton gives the ...
... proper authorities , as it is one of those capricious phænomena which cannot be easily reduced to rules . Thus there is no antecedent reason for difference of accent in the words dolorous and sono- rous ; yet of the one Milton gives the ...
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ancient appear attempt Banquo Bemoin bounty catalogue censure characters common conjecture considered copies corn corrupt criticism curiosity degree dictionary died hereafter diligence discovered drama easily editions editor elegance elliptical arch emendations endeavoured English English language enquiry Epictetus Essay excellence exhibit expected Falstaff favour genius Harleian library Henry Henry VI honour hope imagined inserted INTERPOLATION kind king king of Portugal knowledge known labour language learned less lexicography likewise Macbeth mankind means ments Milton mind nation nature necessary neral never NOTE obscure observed opinion orthography Paradise Lost particular passage passions perfect spy performed perhaps play poet Pope Portuguese praise preserved Prester John prince produced proper publick racter reader reason Roman scenes seems sense sentiments Shakespeare shew shewn sometimes speech sufficient supposed things thought tion tragedy truth William Lauder witches words writers written
Pasajes populares
Página 140 - Shakespeare's plays are not, in the rigorous and critical sense, either tragedies or comedies, but compositions of a distinct kind, exhibiting the real state of sublunary nature, which partakes of good and evil, joy and sorrow, mingled with endless variety of proportion and innumerable modes of combination...
Página 67 - I have protracted my work till most of those whom I wished to please have sunk into the grave; and success and miscarriage are empty sounds. I therefore dismiss it with frigid tranquillity, having little to fear or hope from censure or from praise.
Página 136 - ... find. His persons act and speak by the influence of those general passions and principles by which all minds are agitated, and the whole system of life is continued in motion. In the writings of other poets a character is too often an individual; in those of Shakespeare it is commonly a species.
Página 88 - Come, you spirits That tend on mortal thoughts, unsex me here, And fill me, from the crown to the toe, top-full Of direst cruelty...
Página 66 - ... be perfect, since while it is hastening to publication, some words are budding, and some falling away; that a whole life cannot be spent upon syntax and etymology, and that even a whole life would not be sufficient; that he, whose design includes whatever language can express, must often speak of what he does not understand...
Página 149 - He no sooner begins to move, than \ he counteracts himself; and terror and pity, as they 1 are rising in the mind, are checked and blasted by ! sudden frigidity. - - , A quibble is to Shakespeare, what luminous vapours are to the traveller; he follows it at all adventures : it is sure to lead him out of his way, and sure to engulf him in the mire.
Página 139 - This therefore is the praise of Shakespeare, that his drama is the mirror of life; that he who has mazed his imagination in following the phantoms which other writers raise up before him, may here be cured of his delirious ecstasies by reading human sentiments in human language; by scenes from which a hermit may estimate the transactions of the world, and a confessor predict the progress of the passions.
Página 87 - Than wishest should be undone. Hie thee hither, That I may pour my spirits in thine ear; And chastise with the valour of my tongue All that impedes thee from the golden round, Which fate and metaphysical aid doth seem To have thee crown'd withal.
Página 37 - I am not yet so lost in lexicography, as to forget that words are the daughters of earth, and that things are the sons of heaven.
Página 169 - He has scenes of undoubted and perpetual excellence; but perhaps not one play, which, if it were now exhibited as the work of a contemporary writer, would be heard to the conclusion.