Lamb, Hazlitt, and Coleridge: Criticism of Formal Design in the Elizabethan Drama

abstraction action actor aesthetic argues artist audience awareness believed Characters of Shakespear's Charles Lamb coherence Coleridge Coleridge's criticism comedy conception consciousness describe discusses dramatic art dramatic structure dramatist effect Elizabethan ends English essay example explain faculty feeling finds formal Function of Art genius Greek tragedy Hamlet Hawkes Hazlitt's criticism Iago ideal illusion imagination imitation improbability interest invention Jonson judgment King Lear Lamb's Lectures LIBRARIES STANFORD UNIVERSITY London Macbeth means Measure for Measure method mind Molière moral nature object observations Othello passion playwright pleasure plot PMLA poet poetic poetry principle probability qualities recognize reference remarks René Wellek representation response Richard the Second Romeo and Juliet says scene seems sense Shakespear's Plays Shakespeare Shakespeare's Villains spectator spectator's stage STANFORD UNIVERSITY LIBRARIES subject matter suggests sympathy Tempest theory things tion Troilus Troilus and Cressida truth unity UNIVERSITY LIBRARIES STANFORD villains Volpone Walter Jackson Bate Wellek William Hazlitt writes