The Original Rhythmical Grammar of the English LanguageGeorg Olms Verlag |
Dentro del libro
Resultados 1-5 de 21
Página viii
... object was the simplicity of nature , and to loose some of those bonds with which she has been too long shackled by authors and teachers . Her dictates he has endeavoured with some resolution to follow , although he knew that the ...
... object was the simplicity of nature , and to loose some of those bonds with which she has been too long shackled by authors and teachers . Her dictates he has endeavoured with some resolution to follow , although he knew that the ...
Página 13
... object of our preference . Το But it is said , that music , by its impressions on one sense , may excite affections ... object , but by producing in the soul the same movements , which we should naturally feel were the object present ...
... object of our preference . Το But it is said , that music , by its impressions on one sense , may excite affections ... object , but by producing in the soul the same movements , which we should naturally feel were the object present ...
Página 14
... object , from its energy as a source of pathetic emotions . Thus we draw the line between painting and music ; nor does the occasion call for a master- stroke , their situation will be marked in the choice of their objects : as ...
... object , from its energy as a source of pathetic emotions . Thus we draw the line between painting and music ; nor does the occasion call for a master- stroke , their situation will be marked in the choice of their objects : as ...
Página 16
... object of this Grammar . It is demonstrable , that all that part of language which belongs to utterance , is entirely to be regulated by the principles of music ; that is , of sound and mea- sure , or melody and rhythm . How then is it ...
... object of this Grammar . It is demonstrable , that all that part of language which belongs to utterance , is entirely to be regulated by the principles of music ; that is , of sound and mea- sure , or melody and rhythm . How then is it ...
Página 66
Alcanzaste el límite de visualización de este libro.
Alcanzaste el límite de visualización de este libro.
Contenido
1 | |
CHAP II | 17 |
CHAP III | 40 |
CHAP IV | 65 |
CHAP V | 82 |
CHAP VI | 91 |
Rhythm Ancient Rhythm whatEssentials | 100 |
CHAP IX | 116 |
Three hundred and eightyeight questions | 232 |
CHAP XV | 251 |
Set to the Music of Specch | 252 |
The Soldiers Dream Ditto | 260 |
The Contented Miller | 266 |
The Swollen Torrent | 274 |
Hohenlinden an Epic Song | 280 |
Set to the Music of Speech | 299 |
CHAP X | 128 |
CHAP XI | 142 |
CHAP XII | 153 |
CHAP XIII | 183 |
CHAP XIV | 222 |
Battle of Waterloo | 325 |
The Rainbow | 332 |
The Temple of Jerusalem | 338 |
Hamlets Directions to the Players | 345 |
Otras ediciones - Ver todas
Términos y frases comunes
accidents of language acute accent acute and grave Anapest ancient applied Arsis and Thesis Artificial Feet artificial prosody beauty called circumflex composed dactyl degrees Demosthenes diphthong distinct elocution English English language equal Examples expression eyes force full melody grace notes Grammar grammarians grave accent Greek and Latin Greek language guage heart heaven heavy and light heavy syllables honour iambus inflexions light syllables loud and soft marked meter monosyllables monotone nature nerally never nosyllables o'er organic emphasis organs of speech passion peculiar pleasure poet poetry poize pronounced pronunciation proportion prose prosodians quantity reading and speaking rhetorical pauses rhythm Rhythmical Cadences rules scanning semibrief sense sentence Shakespeare sing Slow song soul sound spoken language spondee sweet syllabic emphasis taste thee thou tion tone triple cadences trochee varieties verse virtue voice vowel words
Pasajes populares
Página 346 - Who is here so base, that would be a bondman ? If any, speak ; for him have I offended. Who is here so rude, that would not be a Roman ? If any, speak ; for him have I offended. Who is here so vile, that will not love his country? If any, speak ; for him have I offended — I pause for a reply.
Página 346 - Romans, countrymen, and lovers! hear me for my cause ; and be silent that you may hear : believe me for mine honour; and have respect to mine honour, that you may believe: censure me in your wisdom; and awake your senses that you may the better judge. If there be any in this assembly, any dear friend of Caesar's, to him I say, that Brutus' love to Caesar was no less than his.
Página 345 - Nor do not saw the air too much with your hand, thus ; but use all gently : for in the very torrent, tempest, and (as I may say) whirlwind of your passion, you must acquire and beget a temperance that may give it smoothness.
Página 346 - As Caesar loved me, I weep for him; as he was fortunate, I rejoice at it; as he was valiant, I honour him; but, as he was ambitious, I slew him.
Página 347 - Here comes his body, mourned by Mark Antony: who, though he had no hand in his death , shall receive the benefit of his dying, a place in the commonwealth ; As which of you shall not ? With this I depart ; That, as I slew my bes't lover" for the good of Rome, I have the same dagger for myself, when it shall please my country to need my death.
Página 344 - She'd come again, and with a greedy ear • Devour up my discourse: which I, observing, Took once a pliant hour, and found good means To draw from her a prayer of earnest heart That I would all my pilgrimage dilate...
Página 345 - Now this overdone, or come tardy off, though it make the unskilful laugh, cannot but make the judicious grieve ; the censure of the which one, must, in your allowance, o'erweigh a whole theatre of others. Oh, there be players, that I have seen play, and heard others praise, and that highly, not to speak it profanely, that, neither having the accent of Christians, nor the gait of Christian, pagan, nor man, have so strutted, and bellowed, that I have thought some of nature's journeymen had made men,...
Página 343 - Their dearest action in the tented field, And little of this great world can I speak, More than pertains to feats of broil and battle, And therefore little shall I grace my cause In speaking for myself.
Referencias a este libro
"Rede, dass ich Dich sehe": Carl Gustav Jochmann und die Rhetorik im Vormärz Markus Fauser Vista de fragmentos - 1986 |