The Original Rhythmical Grammar of the English LanguageGeorg Olms Verlag |
Dentro del libro
Resultados 1-5 de 41
Página x
... necessary for the peculiar structure of sentences . These are so distinctly presented to the eye , that any boy of ordinary capacity , of seven or eight years of age , who can read at sight , may make himself master of them in a few ...
... necessary for the peculiar structure of sentences . These are so distinctly presented to the eye , that any boy of ordinary capacity , of seven or eight years of age , who can read at sight , may make himself master of them in a few ...
Página 3
... necessary to accomplish speech , namely , the local and Enunciative . The Vocal Organs are those parts of the organic system by which we produce tuneable sounds : they are called the Larynx and Glottis . The Larynx is the top of the ...
... necessary to accomplish speech , namely , the local and Enunciative . The Vocal Organs are those parts of the organic system by which we produce tuneable sounds : they are called the Larynx and Glottis . The Larynx is the top of the ...
Página 4
... necessary to complete perfect arti- culation . Speech , whether audible or whispered , is voice modified by the Enunciative Organs : articulate sound cannot be effected until the modification of these organs are added to the vocal . The ...
... necessary to complete perfect arti- culation . Speech , whether audible or whispered , is voice modified by the Enunciative Organs : articulate sound cannot be effected until the modification of these organs are added to the vocal . The ...
Página 6
... necessary , which has never been doubted , that in order to sing or play well , we must be intimately acquainted with the power and extent of the voice or instrument , and be able , with ease , to assume , at pleasure , any variety of ...
... necessary , which has never been doubted , that in order to sing or play well , we must be intimately acquainted with the power and extent of the voice or instrument , and be able , with ease , to assume , at pleasure , any variety of ...
Página 12
... necessary to throw the ideas out of their natural order and transposition , by varying the relations and proportions of those sounds , gave birth to artificial prosody . Artificial prosody , therefore , could never have been made , as ...
... necessary to throw the ideas out of their natural order and transposition , by varying the relations and proportions of those sounds , gave birth to artificial prosody . Artificial prosody , therefore , could never have been made , as ...
Contenido
1 | |
CHAP II | 17 |
CHAP III | 40 |
CHAP IV | 65 |
CHAP V | 82 |
CHAP VI | 91 |
Rhythm Ancient Rhythm whatEssentials | 100 |
CHAP IX | 116 |
Three hundred and eightyeight questions | 232 |
CHAP XV | 251 |
Set to the Music of Specch | 252 |
The Soldiers Dream Ditto | 260 |
The Contented Miller | 266 |
The Swollen Torrent | 274 |
Hohenlinden an Epic Song | 280 |
Set to the Music of Speech | 299 |
CHAP X | 128 |
CHAP XI | 142 |
CHAP XII | 153 |
CHAP XIII | 183 |
CHAP XIV | 222 |
Battle of Waterloo | 325 |
The Rainbow | 332 |
The Temple of Jerusalem | 338 |
Hamlets Directions to the Players | 345 |
Otras ediciones - Ver todas
Términos y frases comunes
accidents of language acute accent acute and grave Anapest ancient applied Arsis and Thesis Artificial Feet artificial prosody beauty called circumflex composed dactyl degrees Demosthenes diphthong distinct elocution English English language equal Examples expression eyes force full melody grace notes Grammar grammarians grave accent Greek and Latin Greek language guage heart heaven heavy and light heavy syllables honour iambus inflexions light syllables loud and soft marked meter monosyllables monotone nature nerally never nosyllables o'er organic emphasis organs of speech passion peculiar pleasure poet poetry poize pronounced pronunciation proportion prose prosodians quantity reading and speaking rhetorical pauses rhythm Rhythmical Cadences rules scanning semibrief sense sentence Shakespeare sing Slow song soul sound spoken language spondee sweet syllabic emphasis taste thee thou tion tone triple cadences trochee varieties verse virtue voice vowel words
Pasajes populares
Página 346 - Who is here so base, that would be a bondman ? If any, speak ; for him have I offended. Who is here so rude, that would not be a Roman ? If any, speak ; for him have I offended. Who is here so vile, that will not love his country? If any, speak ; for him have I offended — I pause for a reply.
Página 346 - Romans, countrymen, and lovers! hear me for my cause ; and be silent that you may hear : believe me for mine honour; and have respect to mine honour, that you may believe: censure me in your wisdom; and awake your senses that you may the better judge. If there be any in this assembly, any dear friend of Caesar's, to him I say, that Brutus' love to Caesar was no less than his.
Página 345 - Nor do not saw the air too much with your hand, thus ; but use all gently : for in the very torrent, tempest, and (as I may say) whirlwind of your passion, you must acquire and beget a temperance that may give it smoothness.
Página 346 - As Caesar loved me, I weep for him; as he was fortunate, I rejoice at it; as he was valiant, I honour him; but, as he was ambitious, I slew him.
Página 347 - Here comes his body, mourned by Mark Antony: who, though he had no hand in his death , shall receive the benefit of his dying, a place in the commonwealth ; As which of you shall not ? With this I depart ; That, as I slew my bes't lover" for the good of Rome, I have the same dagger for myself, when it shall please my country to need my death.
Página 344 - She'd come again, and with a greedy ear • Devour up my discourse: which I, observing, Took once a pliant hour, and found good means To draw from her a prayer of earnest heart That I would all my pilgrimage dilate...
Página 345 - Now this overdone, or come tardy off, though it make the unskilful laugh, cannot but make the judicious grieve ; the censure of the which one, must, in your allowance, o'erweigh a whole theatre of others. Oh, there be players, that I have seen play, and heard others praise, and that highly, not to speak it profanely, that, neither having the accent of Christians, nor the gait of Christian, pagan, nor man, have so strutted, and bellowed, that I have thought some of nature's journeymen had made men,...
Página 343 - Their dearest action in the tented field, And little of this great world can I speak, More than pertains to feats of broil and battle, And therefore little shall I grace my cause In speaking for myself.
Referencias a este libro
"Rede, dass ich Dich sehe": Carl Gustav Jochmann und die Rhetorik im Vormärz Markus Fauser Vista de fragmentos - 1986 |