The Original Rhythmical Grammar of the English Language
Georg Olms Verlag, 1821 - 348 páginas
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Rhythm Ancient Rhythm whatEssentials
Three hundred and eightyeight questions
Set to the Music of Specch
The Soldiers Dream Ditto
The Contented Miller
The Swollen Torrent
Hohenlinden an Epic Song
Set to the Music of Speech
Battle of Waterloo
The Temple of Jerusalem
Hamlets Directions to the Players
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Términos y frases comunes
accents accidents according acute applied artificial beauty begin cadence called common composed consequence considered distinct effect elocution emphasis English equal Examples expression eyes fall feeling feet five force four give grace Grammar grave Greek heart heaven heavy heavy syllables iambus kind language learned length light light syllables look loud manner marked means measure melody meter mind mode monotone nature necessary never notes o'er object observed organs passion pauses poetry present principles produce pronounced proper properly proportion prose prosody quantity reader reading and speaking reason require rest rhetorical rhythm rhythmical rising rules sense sentence short sing Slow soft song soul sound speaker speech spoken sweet syllables thee thing thou thought tion tone triple varieties verse voice written
Página 346 - Who is here so base, that would be a bondman ? If any, speak ; for him have I offended. Who is here so rude, that would not be a Roman ? If any, speak ; for him have I offended. Who is here so vile, that will not love his country? If any, speak ; for him have I offended — I pause for a reply.
Página 346 - Romans, countrymen, and lovers! hear me for my cause ; and be silent that you may hear : believe me for mine honour; and have respect to mine honour, that you may believe: censure me in your wisdom; and awake your senses that you may the better judge. If there be any in this assembly, any dear friend of Caesar's, to him I say, that Brutus' love to Caesar was no less than his.
Página 345 - Nor do not saw the air too much with your hand, thus ; but use all gently : for in the very torrent, tempest, and (as I may say) whirlwind of your passion, you must acquire and beget a temperance that may give it smoothness.
Página 346 - As Caesar loved me, I weep for him; as he was fortunate, I rejoice at it; as he was valiant, I honour him; but, as he was ambitious, I slew him.
Página 347 - Here comes his body, mourned by Mark Antony: who, though he had no hand in his death , shall receive the benefit of his dying, a place in the commonwealth ; As which of you shall not ? With this I depart ; That, as I slew my bes't lover" for the good of Rome, I have the same dagger for myself, when it shall please my country to need my death.
Página 344 - She'd come again, and with a greedy ear • Devour up my discourse: which I, observing, Took once a pliant hour, and found good means To draw from her a prayer of earnest heart That I would all my pilgrimage dilate...
Página 345 - Now this overdone, or come tardy off, though it make the unskilful laugh, cannot but make the judicious grieve ; the censure of the which one, must, in your allowance, o'erweigh a whole theatre of others. Oh, there be players, that I have seen play, and heard others praise, and that highly, not to speak it profanely, that, neither having the accent of Christians, nor the gait of Christian, pagan, nor man, have so strutted, and bellowed, that I have thought some of nature's journeymen had made men,...
Página 343 - Their dearest action in the tented field, And little of this great world can I speak, More than pertains to feats of broil and battle, And therefore little shall I grace my cause In speaking for myself.
Referencias a este libro
"Rede, dass ich Dich sehe": Carl Gustav Jochmann und die Rhetorik im Vormärz
Vista de fragmentos - 1986
Sprache und Metrum: Semiotik und Linguistik des Verses
Vista de fragmentos - 1988