Shakespeare and the Triple Play: From Study to Stage to ClassroomSidney Homan Bucknell University Press, 1988 - 239 páginas Developing the interrelationship of Shakespeare scholarship, performance, and teaching, the contributors to this collection, including scholars of the People's Republic of China, share the perspective that Shakespeare's plays be viewed as texts to be enacted, whether on the theater stage or the stage of the mind's eye. |
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Página 116
... did have enough rehearsal time to see Wives through to opening night . I did manage to get the actors into the early stages of 116 The Merry Wives of Windsor in the People's Republic China: A Director's Notebook SIDNEY HOMAN.
... did have enough rehearsal time to see Wives through to opening night . I did manage to get the actors into the early stages of 116 The Merry Wives of Windsor in the People's Republic China: A Director's Notebook SIDNEY HOMAN.
Página 136
... opening night . However , if practical matters prevent my returning , I know that this prodigious child of Shakespeare that I have adopted as my own will , halfway around the world , continue to grow— and in good and friendly hands ...
... opening night . However , if practical matters prevent my returning , I know that this prodigious child of Shakespeare that I have adopted as my own will , halfway around the world , continue to grow— and in good and friendly hands ...
Página 218
... opening scene - a resplendent King Richard with his entourage , jewel - bedecked , brightly lit , Richard in a white gown atop his throne high on stage . In act 5 , scene 5 , however , he appears in a dimly lit dungeon , stripped of his ...
... opening scene - a resplendent King Richard with his entourage , jewel - bedecked , brightly lit , Richard in a white gown atop his throne high on stage . In act 5 , scene 5 , however , he appears in a dimly lit dungeon , stripped of his ...
Contenido
Thinking Afar of the Worlds Beloved Dramatic Poet William | 9 |
An Example from | 17 |
Magic and Politics in The Tempest | 43 |
Derechos de autor | |
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Shakespeare and the Triple Play: From Study to Stage to Classroom Sidney Homan Vista previa limitada - 1988 |
Términos y frases comunes
action actors Antonio appearance Ariel asks audience become beginning body bring Caliban called characters classroom Claudius complete course create critics culture death direct divine effect Egeus Elizabethan English enter essay establish experience expression face fact Falstaff father feel figure final force Ford Gertrude Gertrude's Ghost give gold Hamlet hand human imagine interpretation kind king Lady less lines live London look Macbeth magic means metaphor mind mirror moral mother moves murder nature notes observes once performance perhaps play play's political possibility present production Prospero provides reading reality reflection response Richard role scene seems sense Shake Shakespeare Slender society speaks speech spirit stage suggests symbolic teaching Tempest theater things thought tion tragic turn University University Press Venice Wives York