Yale University Press, 2008 M10 1 - 208 páginas
On Eloquence questions the common assumption that eloquence is merely a subset of rhetoric, a means toward a rhetorical end. Denis Donoghue, an eminent and prolific critic of the English language, holds that this assumption is erroneous. While rhetoric is the use of language to persuade people to do one thing rather than another, Donoghue maintains that eloquence is gratuitous, ideally autonomous, in speech and writing an upsurge of creative vitality for its own sake. He offers many instances of eloquence in words, and suggests the forms our appreciation of them should take. Donoghue argues persuasively that eloquence matters, that we should indeed care about it. Because we should care about any instances of freedom, independence, creative force, sprezzatura, he says, especially when we liveperhaps this is increasingly the casein a culture of the same, featuring official attitudes, stereotypes of the officially enforced values, sedated language, a politics of pacification. A noteworthy addition to Donoghues long-term project to reclaim a disinterested appreciation of literature as literature, this volume is a wise and pleasurable meditation on eloquence, its unique ability to move or give pleasure, and its intrinsic value.
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The high style, natural home of eloquence, might still be practiced, but it could
easily be dismissed as picturesque or indeed ridiculous. This continues to be a
risk. The wartime speeches of Winston Churchill, the high eloquence of John F.
The only comment I recall Professor Hogan making about Browne's style in
Hydriotaphia was that he was occasionally imperfect in allowing a line of verse to
invade his prose: “Darkness and light divide the course of time” was a perfect line
Style was the only consideration: it testified to an individual writer's way of being
alive in the language. Stevens calls it “the imagination's Latin”— He tries by a
peculiar speech to speak The peculiar potency of the general, To compound the
quence is akin to style, except that it is a narrower consideration, literary rather
than in a wider sense cultural. Sainte-Beuve said of the author of Madame
Bovary: “A precious quality distinguishes M. Gustave Flaubert from other more or
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On eloquenceCrítica de los usuarios - Not Available - Book Verdict
Donoghue (English, NYU; Speaking of Beauty) has fashioned a well-written and engaging exploration of eloquence in literature. He defines eloquence and the role it plays in culture as follows: "The ... Leer comentario completo
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Denis Donoghue,Holder of Henry James Chair of Letters Denis Donoghue
Vista de fragmentos - 2008