Samuel Johnson on LiteratureUngar, 1979 - 102 páginas |
Dentro del libro
Resultados 1-3 de 22
Página xiii
... drama can move the passions if spectators do not believe in the action of the play . He answered this question by returning to the principle of literature as imitation . " It [ drama ] is credited with all the credit due to a drama . It ...
... drama can move the passions if spectators do not believe in the action of the play . He answered this question by returning to the principle of literature as imitation . " It [ drama ] is credited with all the credit due to a drama . It ...
Página 27
... drama exhibits successive imitations of successive actions , and why may not the second imitation represent an ... drama moves if it is not credited . It is credited with all the credit due to a drama . It is credited , whenever it moves ...
... drama exhibits successive imitations of successive actions , and why may not the second imitation represent an ... drama moves if it is not credited . It is credited with all the credit due to a drama . It is credited , whenever it moves ...
Página 28
... drama than by the reader of a narrative , before whom may pass in an hour the life of a hero or the revolutions of an empire . Whether Shakespeare knew the unities and rejected them by design , or deviated from them by happy ignorance ...
... drama than by the reader of a narrative , before whom may pass in an hour the life of a hero or the revolutions of an empire . Whether Shakespeare knew the unities and rejected them by design , or deviated from them by happy ignorance ...
Contenido
RASSELAS 1759 | 9 |
LIVES OF THE POETS 17791781 | 47 |
BOSWELLS LIFE OF JOHNSON 1791 | 95 |
Derechos de autor | |
Otras 1 secciones no mostradas
Términos y frases comunes
action admired Antium appears attention beauties blank verse Boswell's censure characters comedy comic common compositions Comus considered criticism curiosity delight dialogue dignity diligence drama Dryden Dunciad easily elegance endeavored English English poetry epic Essay evil excellence exhibit fable fancy faults fiction genius Homer human ideas Iliad images imagination imitation incidents instruction invention John Wain judgment knowledge labor language learning literary literature Lord Monboddo Lycidas mankind manners metaphysical poets Milton mind mingled modern modes moral nature neoclassicism never novelty observed odes original Paradise Lost passages passions perhaps play pleasing pleasure poem poetical poetry Polonius Pope Pope's praise precepts Preface principles produce Rambler Rasselas reader reason remarked rhyme Samuel Johnson scenes seems sense sentiments Shakespeare sometimes spectator stanza sublime thought tion tragedy translation truth virtue Voltaire vulgar Walter Jackson Bate WILLIAM SHAKESPEARE wonder words writers written