Freud on Sublimation: Reconsiderations
SUNY Press, 1992 M01 1 - 374 páginas
This book is the only full-length treatment of the relationship between aesthetic truths and psychoanalytic discoveries--of art, artists, and a new concept of sublimation. It provides a radical and unique study of the concept of sublimation and proposes a modest replacement for it. In the first third of the book the author reviews critically the psychoanalytic sources of the concept of sublimation. In the second third he shows how the concept developed from Freud's nineteenth-century notions of perception. In the last third he revises a concept of sublimation using a contemporary theory of perception. In the final chapter he examines four works of literature: short stories of John Cheever, a Japanese novel, portions of Hamlet, and sublimation and perversion in Orson Welles' Citizen Kane.
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actions actual affordances anal analysis analytic appear argue artists associated attempt authors become behavior body chapter child claims classical clinical complex concept consciousness critics culture death describe difference distinct dream drives emotional emotional affordances energy especially essays example experience explain external father feelings forces forms Freud functions give Hamlet Hence human iconic ideas images infant instincts internal interpretations Kane kind language linguistic means memory mind mother nature neurotic notes notion object occurs organs original pain paintings parents particular patient perceive perception person perversions physical play pleasure present primary problem produce psychoanalytic psychological qualities quantities reality reason refers reflect relationship remains representations repression requires response rules says sense sexual similar structure sublimation suffering term theory thing thinking thought tion true turn unconscious understanding values wishes young
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