AMONG the talented females who have distinguished themselves in the poetical world during the present day, Miss Mitford has justly obtained a conspicuous name. She is a daughter of Dr. Mitford, of Bertram House, near Reading. She was educated at Miss Rowdon's establishment, Brompton, and gave proofs of her poetical talent at a very early age. Her first work which she gave to the public, was a volume of Poems published in 1810. The popularity she acquired by this attempt encouraged her to persevere, and her next work, Christina, the Maid of the South Seas, a tale founded on the discovery of Pitcairn's Island, was published in the following year. This was succeeded by Watlington Hill, a descriptive poem, which appeared in 1812; and Narrative Poems on the Female Character in the various Relations of Life, which was published the same year. A considerable period then elapsed, during which she seemed to have retired from the literary work!; but it was that she might appear with greater lustre in the character of a dramatic writer, and her tragedies of Julian, Foscari, Rienzi, and Charles I., between 1823 and 1834, obtained for her a continually increasing reputation. They abound in tenderness of feeling and rich poetical description, so that they will always continue to obtain a distinguished rank as dramatic poems, however they may cease to captivate in representation. FROM JULIAN. Enter MELFI. D'Alba (Aside). He's pale, he hath been hurt. (Aloud) My liege, Your vassals bid you welcome. Melfi. Noble Signors, Good Leanti, I greet you well. Thanks, D'Alba. I joy to see those reverend locks. I never Valore. Sire, we know From your own royal hand enough for joy Melfi. But how My Lord, What wouldst thou more? Before I enter'd here Of our Sicilian realm, are here to pledge to me One form is wanting. Our bereaved state Stands like a widow, one eye dropping tears Seems For her lost lord, the other turn'd with smiles For quick dispatch o'er every widow'd mate, Saw the good man entomb'd. The funeral first; What mean ye, Sirs? Stand off. D'Alba. Cannot your Highness guess the murderer? front A King? What, do ye doubt me; you, or you? To reign, I tell ye, nobles. Now, who questions? pardon The undesign'd offence. Your Highness knows Melfi. And he knows mine. Well! Well! Be all these heats forgotten. Julian. FROM JULIAN. Annabel, look forth Upon this glorious world! Look once again Whose level beams do cast a golden shine Annabel. So sadly on me? Jul. Why dost thou gaze The bright stars, how oft They fall, or seem to fall! He sinks, he sets in glory. The sun-look! look! Like thee-like thee-Dost thou remember once Red, purple, saffron, melted into one Wrought between earth and heaven, of life and death- A spirit sailing in that flood of light Straight to the Eternal Gates, didst pray to pass Away in such a glory. Annabel! Look out upon the burning sky, the sea One lucid ruby - 't is the very hour! Thou 'lt be a seraph at the Fount of Light Ann. What, must I die? And wilt thou kill me? Jul. I shall die with thee. Ann. To save thy honour! Oh no! no! live! live! If I must die-oh it is sweet to live, To breathe, to move, to feel the throbbing blood And such a heaven,-to look on thee! Young life Jul. Ann. Would'st live for D'Alba? MISS MITFORD. I had forgot. I'll die. Quick! Quick! Jul. One kiss! Angel, dost thou forgive me? Ann. Jul. Yes. My sword! Now! I'm ready. I cannot draw it. Ann. FROM RIENZI. Claudia. Oh! mine old home! Rienzi. What ails thee, lady-bird? Father, I love not this new state; these halls, Where comfort dies in vastness; these trim maids, My quiet pleasant chamber, with the myrtle Woven round the casement; and the cedar by, With flowers and herbs, thick set as grass in fields; And old Camillo-Oh! mine own dear home! Rie. Why, simple child, thou hast thine old fond nurse, And good Camillo, and shalt have thy doves, Thy myrtles, flowers, and cedars; a whole province Old Camillo ! Thou shalt have nobler servants,-emperors, kings, In Christendom but would right proudly kneel To my fair daughter. Cla. Oh! mine own dear home! Rie. Wilt have a list to choose from? Listen, sweet! If the tall cedar, and the branchy myrtle, And the white doves, were tell-tales, I would ask them, And if, at eventide they heard not oft A tuneful mandoline, and then a voice, Cla. Oh father! father! Rie. Well! Do'st love him, Claudia ? Cla. Father! Rie. Do'st thou love Young Angelo? Yes? Said'st thou yes? That heart That throbbing heart of thine, keeps such a coil, To Rome; he left thee on mine errand, dear one; Cla. Oh father! father! Rie. Now, Back to thy maidens, with a lighten'd heart, Cla. Alas! alas! I tremble at the height. Whene'er I think Rie. Tremble! Let them tremble. I am their master, Claudia, whom they scorn'd, RIENZI'S INFLEXIBILITY. Rie. Lords, If ye could range before me all the peers, |