Shakespeare and the Courtly AestheticStanford University, 1974 - 568 páginas |
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... possible by two generous grants from the Leverhulme Trust and the Mabelle McLeod Lewis Memorial Fund for support during a year's research and reading at the Warburg Institute and the British Museum . To the library staff at each ...
... possible by two generous grants from the Leverhulme Trust and the Mabelle McLeod Lewis Memorial Fund for support during a year's research and reading at the Warburg Institute and the British Museum . To the library staff at each ...
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... possible . The poor player of a few years earlier now finds himself sur- rounded , perhaps even overwhelmed , by the imagery of a new mode of dressing and filling a stage . The present study is 1. Reference to the passage from ...
... possible . The poor player of a few years earlier now finds himself sur- rounded , perhaps even overwhelmed , by the imagery of a new mode of dressing and filling a stage . The present study is 1. Reference to the passage from ...
Página 123
... possible . Prospero's magic must have had its most exciting effect when The Tempest was staged in the Banqueting House , where a full consort , stage machinery , and many experienced stage artisans were at his disposal and where ...
... possible . Prospero's magic must have had its most exciting effect when The Tempest was staged in the Banqueting House , where a full consort , stage machinery , and many experienced stage artisans were at his disposal and where ...
Términos y frases comunes
action Aeneas Aeneid allegory allusive Antonio arches Ariel artistic audience Blatant Beast Book Caliban Calidore chapter character civil cont court masques courtier courtly aesthetic courtly art Cymbeline delight doth dramatic dream dynastic edition effect Elizabeth Elizabethan English evil expression Faerie Queene fashions Ferdinand fictional figure forces furor genres golden age harmony hath Henry Heywood homilies Hymenaei ideal ignorance Il pastor fido illusion imagery Inigo Jones Jacobean James James's Jonson King Knight Las Meninas late plays Lear learned literary Lord Mayor's Shows magic Masque of Queenes melancholy Meninas Milan Miranda monarch monster moral nature obedience observed painting pastor fido peace perhaps Pericles perspective Philaster pietas play's poetic Poets political praise present Prince Prospero reason reign Renaissance Revels Speech romance Roy Strong royal ruler Saturn scene sense Shakespeare Shakespearian social spectacle Spenser's stage storm symbolic Tasso taste temperance Tempest theatrical themes things Timon of Athens Velazquez vision