Shakespeare and the Courtly AestheticStanford University, 1974 - 568 páginas |
Dentro del libro
Resultados 1-3 de 22
Página 98
Gary Schmidgall. 12 upon the more modest , human dimensions of earlier sculpture ( most of this in the form of funeral effigies ) . The humanist neoclassicism led inevitably to the growth of art beyond human proportions , for as Piero ...
Gary Schmidgall. 12 upon the more modest , human dimensions of earlier sculpture ( most of this in the form of funeral effigies ) . The humanist neoclassicism led inevitably to the growth of art beyond human proportions , for as Piero ...
Página 163
... human side , though we must wait until Act V to discover it . He finally proves he has not lost what Sidney happily calls the " passionate kindnesse " of Aencas . That Prospero has not lost his humanity , though privy to omnipotent arts ...
... human side , though we must wait until Act V to discover it . He finally proves he has not lost what Sidney happily calls the " passionate kindnesse " of Aencas . That Prospero has not lost his humanity , though privy to omnipotent arts ...
Página 199
... human physical traits in an allegorical metamorphosis and Caliban is still in marginal possession of a human shape , the Beast and Caliban were designed for similar symbolic purposes . The Beast is an " ugly Monster " who is " bred of ...
... human physical traits in an allegorical metamorphosis and Caliban is still in marginal possession of a human shape , the Beast and Caliban were designed for similar symbolic purposes . The Beast is an " ugly Monster " who is " bred of ...
Términos y frases comunes
action Aeneas Aeneid allegory allusive Antonio arches Ariel artistic audience Blatant Beast Book Caliban Calidore chapter character civil cont court masques courtier courtly aesthetic courtly art Cymbeline delight doth dramatic dream dynastic edition effect Elizabeth Elizabethan English evil expression Faerie Queene fashions Ferdinand fictional figure forces furor golden age harmony hath Henry Heywood homilies Hymenaei ideal ignorance Il pastor fido illusion imagery Inigo Jones Jacobean James James's Jonson King Knight Las Meninas late plays Lear learned literary Lord Mayor's Shows magic Masque of Queenes melancholy Meninas Milan Miranda monarch monster moral nature obedience observed painting pastor fido peace perhaps Pericles perspective Philaster pietas play's poetic political praise present Prince Prospero reason reign Renaissance Revels Speech romance Roy Strong royal ruler Saturn scene sense Shakespeare Shakespearian social spectacle Spenser's stage storm symbolic Tasso taste temperance Tempest theatrical themes things thou Timon of Athens vanity Velazquez vision