The works of Samuel Johnson, Volumen51824 |
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... favour worthy of public acknowledgment . * Langbaine's authority will not support the dates as- signed to Dryden's Plays . These are now rectified in the margin by references to the original Editions , the only guides to be relied on.-R ...
... favour worthy of public acknowledgment . * Langbaine's authority will not support the dates as- signed to Dryden's Plays . These are now rectified in the margin by references to the original Editions , the only guides to be relied on.-R ...
Página 12
... favour had been shewn him , he received the news of his ill success , not with so much firmness as might have been expect- ed from so great a man . ' 99 What firmness they expected , or what weakness Cowley discovered , cannot be known ...
... favour had been shewn him , he received the news of his ill success , not with so much firmness as might have been expect- ed from so great a man . ' 99 What firmness they expected , or what weakness Cowley discovered , cannot be known ...
Página 29
... the ashes , and torn parts , Of both our broken hearts : Shall out of both one new one make : From her's th ' allay , from mine the metal take . COWLEY . The poetical propagation of light : The prince's favour is D3 COWLEY . 29.
... the ashes , and torn parts , Of both our broken hearts : Shall out of both one new one make : From her's th ' allay , from mine the metal take . COWLEY . The poetical propagation of light : The prince's favour is D3 COWLEY . 29.
Página 30
Samuel Johnson. The poetical propagation of light : The prince's favour is diffus'd o'er all , From which all fortunes , names , and natures fall : Then from those wombs of stars , the bride's bright eyes , At every glance a ...
Samuel Johnson. The poetical propagation of light : The prince's favour is diffus'd o'er all , From which all fortunes , names , and natures fall : Then from those wombs of stars , the bride's bright eyes , At every glance a ...
Página 69
... favour of his master and esteem of the publick would now make him happy . But human felicity is short and uncertain ; a second marriage brought upon him so much dis- quiet , as for a time disordered his understanding , and Butler ...
... favour of his master and esteem of the publick would now make him happy . But human felicity is short and uncertain ; a second marriage brought upon him so much dis- quiet , as for a time disordered his understanding , and Butler ...
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Términos y frases comunes
Absalom and Achitophel admired Æneid afterwards ancients appears beauties better blank verse cæsura called censure character Charles Charles Dryden Comus considered Cowley criticism death delight diction dramatick Dryden Duke Earl elegance English epick Euripides excellence fancy favour friends genius Heaven heroick honour Hudibras images imagination imitation Jacob Tonson John Dryden Juvenal kind King knowledge known labour Lady language Latin learning lines Lord Lord Roscommon Milton mind nature never NIHIL numbers opinion Paradise Lost Paradise Regained Parliament passions perhaps perusal Philips Pindar play pleasure poem poet poetical poetry pounds praise preface produced publick published reader reason relates remarks reputation rhyme satire says seems sentiments shew shewn sometimes Sprat style supposed thee thing thou thought tion tragedy translation truth Tyrannick Love verses versification Virgil virtue Waller words write written wrote
Pasajes populares
Página 72 - O could I flow like thee, and make thy stream My great example, as it is my theme! Though deep, yet clear, though gentle, yet not dull, Strong without rage, without o'er-flowing full.
Página 161 - The want of human interest is always felt. Paradise Lost is one of the books which the reader admires and lays down, and forgets to take up again. None ever wished it longer than it is. Its perusal is a duty rather than a pleasure. We read Milton for instruction, retire harassed and overburdened, and look elsewhere for recreation ; we desert our master, and seek for companions.
Página 34 - To move, but doth, if th' other do. And though it in the centre sit, Yet when the other far doth roam, It leans, and hearkens after it, And grows erect as that comes home. Such wilt thou be to me, who must Like th' other foot, obliquely run ; Thy firmness makes my circles just, And makes me end where I begun.
Página 18 - Their thoughts are often new but seldom natural; they are not obvious but neither are they just; and the reader, far from wondering that he missed them, wonders more frequently by what perverseness of industry they were ever found.
Página 59 - His spear, — to equal which, the tallest pine Hewn on Norwegian hills, to be the mast Of some great ammiral, were but a wand...
Página 147 - It is a drama in the epic style, inelegantly splendid, and tediously instructive. The Sonnets were written in different parts of Milton's life, upon different occasions. They deserve not any particular criticism; for of the best it can only be said, that they are not bad; and perhaps only the eighth and the twenty-first are truly entitled to this slender commendation.
Página 385 - From harmony, from heavenly harmony This universal frame began ; When Nature underneath a heap Of jarring atoms lay, And could not heave her head, The tuneful voice was heard from high, Arise, ye more than dead.
Página 142 - Among the flocks and copses and flowers appear the heathen deities, Jove and Phoebus, Neptune and /Eolus, with a long train of mythological imagery, such as a College easily supplies. Nothing can less display knowledge or less exercise invention than to tell how a shepherd has lost his companion and must now feed his flocks alone, without any judge of his skill in piping; and how one god asks another god what is become of Lycidas, and how neither god can tell. He who thus grieves will excite no sympathy;...
Página 200 - At the moment in which he expired, he uttered, with an energy of voice that expressed the most fervent devotion, two lines of his own version of Dies Ira : My God, my Father, and my Friend, Do not forsake me in my end.
Página 168 - The variety of pauses, so much boasted by the lovers of blank verse, changes the measures of an English poet to the periods of a declaimer ; and there are only a few skilful and happy readers of Milton, who enable their audience to perceive where the lines end or begin. Blank verse, said an ingenious critic, seems to be verse only to the eye.