Beauty and Other Forms of ValueCrowell, 1968 - 305 páginas |
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Página 141
... beauty and a scale of greatness . On the first scale a work is more or less beautiful according to its success in achieving beauty . Though there are no degrees of beauty there are approximations to beauty or to ugliness ; to be ac ...
... beauty and a scale of greatness . On the first scale a work is more or less beautiful according to its success in achieving beauty . Though there are no degrees of beauty there are approximations to beauty or to ugliness ; to be ac ...
Página 167
... beauty of music to lie in its suggestion of the pervading rhythms of the universe , he was perhaps feeling not so much the beauty of music in general as the sublimity of certain kinds of it . The difference of the sublime and the ...
... beauty of music to lie in its suggestion of the pervading rhythms of the universe , he was perhaps feeling not so much the beauty of music in general as the sublimity of certain kinds of it . The difference of the sublime and the ...
Página 186
... beauty as attained at that stage . As Aristotle observed , the building of a temple is not complete only when the temple is finished , but has its partial completion at each stage ... Beauty is the result and not the motive 186 PT . I BEAUTY.
... beauty as attained at that stage . As Aristotle observed , the building of a temple is not complete only when the temple is finished , but has its partial completion at each stage ... Beauty is the result and not the motive 186 PT . I BEAUTY.
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Términos y frases comunes
A. C. Bradley action aesthetic Alceste Alexander animal architecture artist beauty become belongs C. E. Montague called Chapter character claims classical colours comedy conation constructive contemplation corresponds creation creative described distinct doctrine eidetic image elements embodied emotion excitement existence experience expression external fact feel formal highest values human nature ideas images imagination impulse individual instance Jane Austen John Rylands Library judge judgment kind knowledge laws Le Misanthrope London Lucretius marble material passions means ment mental merely Molière moral ness numbers object ourselves painting perhaps person philosophical physical picture pleasure poem poet poetic poetry possess practical programme music prosaist prose pure question R. G. Collingwood reality relation romantic sake satisfaction satisfies scientific sculpture sense sentiment social society specific impulse speech subject matter sublime suggested things thought tion tones tragedy true truth ugly unity virtue words